Monthly OneShot Reflections: Demon Hunters A Comedy of Terrors

Disclaimer: Regular readers of this blog will know that I am a massive fan of the Demon Hunters setting, to the extent that I have self-published multiple adventure starters for the game. I was also a high-level backer of the original Kickstarter, to the extent that I was able to submit a chapter for inclusion in the upcoming Players Guide. Take that into consideration when reading this reflection as a review of the game.

A World of Dimness

With its close proximity to Halloween my choice for November’s Monthly OneShot was easy – Demon Hunters: A Comedy of Terrors. Built on a drift of Fate Core, the setting is one of supernatural comedy.

In a world where gods, wizards, vampires and werewolves are real the forces of good fight have come together to fight as one, as the Brotherhood of the Celestial Torch. Demon Hunters. They fight and die in the shadows, so the world can go on, drinking overpriced mocha-frappe-chino lattes in the light. Blissfully unaware that the world ended last Tuesday, only to be dragged kicking and screaming back into existence by a well-placed subclause snuck into a demonic contract.

It’s a dangerous job, but somebody has to do it.

Just not you. To new Agents go the thankless tasks. Negotiating with sentient forests, chasing goblins off of the 18th tee, delivering pizza, locating missing pets.

The OneShot: Missionary Opposition

Called in to investigate an unusually large number of missing pets in a small village the team got to work, enthusiastically knocking on doors under the cover of being missionaries from an obscure church. Their blunt approach of simply holding a bible up and intoning the word ‘God…’ didn’t go down so well. Until they knocked on number 37, whose occupant was all too relieved to have somebody, anybody, to talk to.

It didn’t take long to discover that there had been strange comings and goings during the night, or that people were gathering in the abandoned house at the end of the street. While Gabriel, Jim and Bijoux took off to investigate that Albrecht followed his nose, literally, as he tracked down a scent he knew all too well. Fresh blood, originating from the boot of a nearby car. Inside, another pet and files from the local veterinary clinic.

Over at the abandoned house, the rest of the Chapter came face to face with what they had been seeking, a skinless creature the size of a bear, layer upon layer of muscle twitching in anticipation. It proved no match for the Chapter and was quickly dispatched back to whatever hell it had been pulled from. A quick investigation of the house discovered its gruesome origins, the decaying body of a man inside a ritual circle. While his wallet had been emptied the Agents found a scrunched up business card inside his pocket. Carl Jackson, Personal Injury Attorney. The address was local, and as it turned out only doors away from the Veterinary Clinic.

A bungled attempt to break into the attorney’s office triggered a silent alarm, drawing the attention of a trio of… irate middle-aged businessmen who were quickly dealt with. Drawing from Bijoux’s knowledge of human anatomy the Chapter concocted a basic, yet surprisingly effective, truth serum to conduct a quick interrogation. They learned that the trio were following orders from a woman going by the names of Lilith and Jackie. Bitter at some perceived slight by the local community she had gathered a small group to get revenge… by summoning the creature and letting it loose during the upcoming Summer Fayre. A subsequent investigation of the veterinary clinic revealed Jackie to be not only a member of staff but the wife of the deceased Carl Jackson.

The Chapter hightailed it to Lillith’s home, where they discovered that she had already begun the ritual to once again summon the beast. Quick thinking by Bijoux put an end to that, as she hit redial on the mobile taken from the man they had interrogated. The ritual chants of “Ix’Kalla, Ix’Kalla, Ix’Kalla” that had been calling out were disrupted by a familiar sound – the Nokia ringtone.

Then came the screaming.

With the cultists being devoured by the beast the Chapter leapt into the fray, knowing that they had to banish the abomination before it broke free of the ritual circle. Albrecht dived after Lillith and the tome she was carrying, while RM, Jim and Bijoux worked to contain the creature. Securing the Tome of Ix’Kalla from Lillith the Chapter used its forbidden knowledge to banish the beast from the mortal plane.

Having saved this little corner of the world the Chapter started the long walk back to base… they’d missed their ride and their calls to HQ kept going to voicemail.

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The Roundup: Riotous Fun

I love Demon Hunters. I love both the setting and the system and once again this session reminded me why. In contrast to many of my previous adventures the game didn’t descend towards slapstick, but the absurdity of the setting shone through. From the opening where the players had to improvise at being missionaries but didn’t know which church they belonged to right through to disrupting a ritual summoning by ringing the villains mobile at a critical moment. Possibly the only downside was that one player took a little bit longer than the others to grasp the humorous potential and thus spent the first half of the game worrying about the police arriving. With a sillier adventure (such as Channel Surfing) this wouldn’t have been an issue but it did highlight the difficulty of running adventures that rely on a dry sense of humour.

From a mechanical perspective, the players picked up the system quickly, though I do feel like a cheat sheet would have helped with some of the finer details of invoking aspects. Demon dice were particularly fun, the players were nervous about using them, which helped add to the tension of the rolls and more than one action failed because they were paranoid about what I might do with the dice if I added them to my pool. I’m still not sure that I put them to proper use, I struggle in particular with the concept of needing to spend them to have events happen (represented mechanically by adding aspects) rather than just declaring that it happens.

While preparing the adventure I took some time to reread the core rules. The book is a fun and relatively easy read but there are a few points where the text is confusing or even contradicts other parts of the book. For example, the rules on recovering conditions state at one point that succeeding with style on the action automatically clears a condition while a different page states that it clears two conditions. There are also a couple of sections that would benefit from some additional examples. The prime candidates are spells and badness tables. I appreciate why the writers didn’t want to include lists of spells or tables but personally, I would have really benefitted from additional guidance and examples.

Overall though? The book is great and full of detail. There’s a detailed setting including a secret history of the world, plenty of artwork and a full range of sample NPCs to drop into your game. The best part of the book may be the mission generator, which breaks the process down into a series of simple steps. A basic mission profile can be generated in as little as five minutes and if you get stuck? Just roll on one of the random tables for inspiration. Want even more guidance? Then pick up the first supplement for the game, Demon Hunting Manual A771, which takes a deep dive into mission planning and organisation.

The Demon Hunters RPG can be purchased from DriveThruRPG via:
Demon Hunters: A Comedy of Terrors (PDF and Print on Demand)
Demon Hunting Manual A771 (PDF and Print on Demand)

While my adventure outlines for the game are available as Pay What You Want downloads from LunarShadow Designs on DriveThruRPG

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Kickstarter Alert: Crystal Heart campaign setting

While I enjoy the system I’ve never been a big backer of Kickstarters for Savage Worlds, even to the extent that I didn’t back the recent campaign for the latest edition of the core rules. Of the many settings only Deadlands and its spin-off Deadlands Noir have really grabbed me. Everything else has gone on my “I might pick it up eventually” list.

Until Crystal Heart.

Developed by Eran and Aviv through their webcomic Up to Four Players, Crystal Heart presents a world in the process of uncovering lost artifacts and knowledge from an advanced Bygone Age. The most powerful of these relics are Crystals, gems of unknown origins that channel unique abilities and powers to the wielder. The catch? The only known method of controlling them requires that the user have their own heart surgically removed and replaced with the Crystal. Only one organisation admits to possessing the skills necessary to do so, Syn. Their Agents are relentless, fearless. Heartless.

The setting is beautiful, intriguing and while only a small percentage of the world has been explored its clear that it has a depth to it that many settings lack. Best of all? A setting book is on Kickstarter right now, the project went live earlier today and is already sailed past the 50% mark.

So what’s included in the Kickstarter? For £15 (~$19) you’ll get the full setting book in PDF format plus any bonus PDFs which are unlocked via stretch goals. £30 (~$38) + shipping will net you the physical book plus all the PDFs while the £55 (~$70) + shipping ‘fan’ level rewards you with all the PDFs, the physical book, print issues of the Up to Four Players comic, dice tray and sticker sheets. In contrast to many Kickstarters, Eran and Aviv have gone for a relatively simple tier structure, with only a single, limited quantity, high-level pledge at £175 (~$225). For that, you get to create a Syn Agent to be included in the setting book, which will include character artwork by Aviv.

The details of the stretch goals have yet to be announced but will include additional content for the core book, a collection of one-sheet adventures and custom Crystal-themed bennies. Given the goal for the Kickstarter is likely to be reached within the first day it shouldn’t be long before the details for these are unveiled.

If you’re interested in the Kickstarter then you can find it here and it’s running until Tuesday 11th December. If you want more information about the setting then I’d highly recommend the comics, which can be found at www.uptofourplayers.com and if that isn’t enough then how about checking out the free starter set, which includes an overview of the setting, pre-generated characters and an introductory adventure? You can download that via the Up to Four Players website or directly from drivethruRPG.

 

Thoughts on Marvel Heroic

Alongside my Monthly OneShots, I’ve recently finished playing in a mini-campaign of another Cortex Plus system, the short-lived Marvel Heroic RPG. While I was fortunate enough to buy it while still in print it’s a system that has languished on my shelf for some time.

Unfortunately, with the campaign over, I feel like it may return to that position for some time as overall it just did not work for me.

First up was a personal issue – I prefer shades of grey in my games. Four colour heroics just don’t sit well with my style of play. Especially when trying to be a clean-cut hero such as Captain America. It’s something that I’ve struggled with during previous superhero games and it clearly remains something I need to work on.

As for the system, well something just failed to click. To a degree, it felt over-engineered, with too many moving parts. Rolls were typically built around a base of Affiliation + Distinction + Powerset + Speciality. That’s before considering any possible boosts or variations such as Sfx. Each of those had to be considered and actively chosen, there is no default combo so each action felt slow, though I will admit that they sped up as we became more familiar with the mechanics.

My other mechanical issue was one of focus. While I understand that the superhero genre is heavily combat orientated my non-combat options felt like they were lacking. Again, I appreciate that Captain America is pretty much the archetype for ‘super-soldier’ but it still put me off when I saw that my non-combat rolls were relatively limited.

captain-america-the-winter-soldier-movie-hd-wallpaper-my-top-10-of-2014This isn’t to say that my thoughts on the system entirely negative, as there was a lot that I did enjoy. The doom pool was central to this, allowing the GM to bank dice for later use rather than having to create complications in the moment (ala Firefly). It’s definitely a mechanic that I’ll be including in my future Prime games, likely alongside the Firefly type complications for when I want to immediately challenge the party.

Second, was the ability to counter actions on a successful defence, allowing the heroes to inflict stress even when it wasn’t their turn. This really felt like it played to the genre and made the heroes feel special, as with enough plot points it is (theoretically) possible to take out a mob of low-level antagonists without even taking an action!

Finally the idea of switching out power-sets between adventures to highlight different facets of a character really appeals. Demon Hunters, which blends some Cortex concepts onto a backbone of Fate, does similar by allowing you to spend milestones to rewrite Aspects. Over the course of a campaign, I could see a character building up a repository of options to pick from. Want to focus on mysterious backstory this adventure? Simply swap in that aspect. Want to highlight your stealth? Add in the power-set you acquired during the recent downtime.

So overall, mixed thoughts. I won’t be rushing back to the system but on the other hand, I would like to play it again (or run it) to see if I can get a better feel for it.

Monthly OneShot Reflections: Firefly RPG

For the last few months I’ve been running monthly one shots at Sugar & Dice, one of the gaming cafes in Liverpool. I managed to post my Reflections on The Sprawl pretty quickly, while the first languished in my drafts folder. Until now.

I do the job…

From the outset, one of my prime motivations in establishing the Monthly OneShots was to promote settings and systems that weren’t D&D. I’ve always been pretty up-front the fact that I consider D&D to be, at best, an OK game. While 5th Edition has provided a massive boost to the hobby, in general, it frustrates me when I encounter groups playing nothing but D&D. Or worse, playing non-fantasy settings using quick reskins of the game.

That meant my first OneShot had to be something special. For that, I turned to what may be my all time favourite system in one of my favourite settings. Firefly, powered by Cortex Plus Action. For the adventure, Niska’s Race, my convention scenario that I have run close to a dozen times.

The setup for the adventure is simple, the infamous gangster Adelai Niska has hired the crew to recover one of his weapons shipments that had been impounded by the Alliance. The twist? It was so valuable to him that he had employed multiple crews, each competing to get to the cargo and earn his favour.

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…and then I get paid.

With a scenario I’ve run multiple times and a system I know backwards I was confident that I could put on a good show. The players dived into the characters and while they were all new to the system picked it up pretty quickly. Overall, I was happy with how the game played out. The scenario is designed to be pretty open ended, with each of the competing crews offering different complications that the GM can throw at the party. Each and every time I have run the scenario the players have taken a different approach. I’ve had crews seduce the ranking Alliance officer for information, steal a gunship to break into the impound yard and even some turn on Niska by becoming Alliance informants. This crew was no different, inciting a full on riot just because they needed a distraction.

And then came the final twist, which caught them completely off guard (I won’t spoil it). That was when I knew the session had gone well. It was also when I decided the scenario had finally run its course. I knew it backwards and while no two games of it had ever played out the same, there was little left to surprise me.

Overall, I would class the session as a success. The players were great and reminded me why I enjoy GMing so much. I get a real buzz from running a good game, enough to lift my mood for days afterwards.

So Monthly OneShot number 1 – success.

Monthly OneShot Reflections: The Sprawl

Last week I ran the second of my Monthly OneShots at the fantastic Sugar & Dice gaming cafe here in Liverpool. System of the month: The Sprawl.

Unlike the first month where I had run a well polished adventure for the Firefly RPG this was my first time running The Sprawl, or any PbtA game for that matter. I’d read through the rules and completed some minimal prep, focused around the setup and a couple of possible locations to introduce early on. I’d also jotted down a few notes on possible Corporations to introduce into play. While this goes against the general flow of the rules I’d taken the idea from the introductory ‘Downtown Dataheist’ adventure. Looking back I wish I’d gone further and followed the structure of that mission entirely. Or, in what would have been a smarter move, run that mission.

The Job

The mission was relatively simple. Infinitive Cascade, an up and coming RetroSynth DJ with the N/A/R Corporation had approached a rival Corp about a possible lucrative switch. All the team had to do was extract them before they completed their sold-out set the next day, with a substantial bonus if they could leak the first track from Cascades new album, Millennial MashUp.

Due to a number of last minute drop-outs the team was down to only two. Binary, an infiltrator and the tech head Jim Jones, who preferred to operate remotely through his twin drones. Hitting the streets Jones successfully tracked down Cascades hotel by tapping into the fan following that had grown up around the young DJ. Binary meanwhile acquired tickets to the gig through a fixer they had previously worked with. The price? The head of a rival fixer and triad member operating out of the Liverpool Automated Docks. That proved no match for their skills and yielded the bonus of discovering a concealed, two seater microlite used by the gangs to move goods in and out of the city.

Binary, supported by the drones, infiltrated the arcology in which Cascades hotel could be found via an old drainage system. A lack of research into the tunnels meant they were caught unaware by the automated security turret and Binary took a trio of flechette rounds to one shoulder in the process of destroying it. With Binary making his way to the hotel penthouse Jones’ drones ran interference, they succeeded in distracting the security team but in doing alerted them to the presence of trouble. With time running out Binary was forced to skewer two security guards on his katana before dragging Cascade to the roof for extraction via the microlite.

The job complete, albeit in a rather noisy manner, the team retreated to their hideout. Arriving at the pre-arranged exchange point they were surprised to find themselves paid in full, no questions asked. The reason soon became apparent, as the Corporate fixer put a bullet in Cascade’s head, calmly remarking that “posthumous albums always sell so well” before departing.

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Reflection on the mission

I came out of the game with extremely mixed feelings as to how it had gone. Part of this was down to how well the previous Monthly OneShot had gone and I had to remind myself repeatedly that that was using an adventure I had run 6+ times. My frustration stemmed from a couple of points.

Firstly, the players. We had some last minute drop-outs, which threw me somewhat. One of the players was also on the verge of being a problem. I wouldn’t go as far as saying he was disruptive, more like irritating. He kept trying to explain aspects of the genre and talked over myself and the other player more than once. It got on my nerves and is something I shall have to watch for in the future. Both were also new to PbtA, so drawing them on adding to the world was difficult.

As for the system, I found parts of it difficult. For a 4 hour game I think trying to do full character creation, plus generating Corporations and a mission is going to near impossible without a table of players that know the flow of PbtA games (and ideally know The Sprawl). I glossed over entire sections of the game, sections that are interesting and make it stand out such as the links between characters and the Corporations in play. I had written a few notes as to possible Corporations but with how the mission played out they weren’t required.

The players made no attempt to dig deeper that they had to and completed only the minimal amount of legwork required. Part of this was my mistake, during the legwork phase we played out a few scenes in more detail than was probably required. Looking over Downtown Dataheist again I should have gone with a quicker tell me what you do, roll, tell me how it turns out approach. It sacrifices detail but would have allowed them to get through more legwork in the limited time available.

During the Action phase I struggled the most with the Clocks. When to progress the Action clock was the main one and I wish the game had some more concrete rules for doing so. As it is I could see myself never pushing it to midnight as that’s an instant fail for the team based on an arbitrary decision. Instead I suspect I’d just keep throwing more at them until they decided the mission was a bust or died trying. Which isn’t fun. I may need to write my own directives in future for when to raise it, off the top of my head I think I would go with:

When a player rolls a double 1.
When a character takes out a corporate asset that will be missed.
When the characters act against a Corporation in the open.

I don’t know when I’ll get a chance to play the system again. I would like to. I love the genre and based on reading alone I want t love the system. Ideally I think I need to find a table of PbtA players, unfortunately those are few and far between around here.

RPGaDay 2018 Round-up

RPGaDay has come has reached its end once again. Having completed it on twitter this year I thought it would be worth collecting my answers together into a single post. So, here they are:

Day 1: The social aspects. I can sit down at a table with strangers and know that there is at least 1 common thread between us that will be the focus for the next few hours. For somebody that finds mixing/socialising difficult having that focus is liberating. Then there’s the social aspect of gaming with friends, again it allows you to be social without the normal pressures. Bad day but don’t want to talk about it? Dive into the game. In a great mood? Dive into the game and make it more enjoyable for all.

Day 2: Honestly I don’t know any more. The Expanse Kickstarter has left me unsure by failing to get me interested in a property that I already enjoy. I wonder when it comes to a new game if it is the sell, whether I need to see some real excitement from the developers

Day 3: Setting and writing are perhaps most important. I need to enjoy picking the game up time and time again outside of the sessions. Rules are second to that, which is odd given my interest in game design. Prime examples: @CorporationRPG has an amazing world and writing I go back to but the rules are a hot mess. Fate Core is the opposite – great system but dry writing meant it wasn’t until Atomic Robo that I really appreciated it.

Day 4: Memorable for all the wrong reasons but during my first Firefly campaign had an annoying, whiny NPC who had been promised berth on the ship by somebody that didn’t own it. The players hated him. I hated him and while he was only present during a single session he made an impact of how not to do it.

Day 5: I’m going to cop out on this one because I’m struggling to think of a good answer. So instead I’ll go with one of the alternate prompts: Most memorable character retirement, which goes to a player in an L5R game I ran last year. It was her first ttRPG, she had no knowledge of the setting and picked the disadvantage that she was a brainwashed Kolat sleeper agent. I explained the likelihood she would die dishonourably.

She went with it.

During the wedding of another PC2 (who was marrying this PC1s true love) there was a murder. The suspect was the Kolat handler, who triggered her programming. She was a shugenja and all hell broke loose before she was ultimately captured. She was ordered to commit jigai to cleanse her family honour. The Scorpion governor gave her a choice – die or fake her death and become a scorpion. She chose the latter, not knowing her loyalty would be enforced by PC3 by addicting her to opioids. In the climactic battle, knowing she was going to die she redirected her final spell to target PC3. He drowned in the middle of the battlefield seconds before she fell to the spectral horde. It was epic and all because a new player went all in with their choices

Day 5: Wait, I want to also answer the original question! Am I allowed an NPC from an AP? If so then most memorable NPC has to be Ueda from @happyjacksrpg first L5R Inukai campaign. The PCs helped him redeem his honour and he spent his life literally repaying their trust.

Day 6: Help to build it. Introduce details at both the high level (NPCs, factions, background) and the low level (scene details). Both encourage buy-in, the first provides depth to the world and potentially grounds the PCs by giving them existing connections. The second gives players buy-in to individual scenes and helps build a consensus mental picture of what is going on. The fantastic @Upto4Players provided a great recent example of the latter with their Crystal Hearts comic:

http://www.uptofourplayers.com/comic/heart-of-stone-page-11/

Finally, they can put some effort into learning the setting background. Some games (such as L5R) have detailed settings and I wish more players would invest just a little time outside of sessions to learn the basics of them.

Day 7: Make it personal and build on day 6. When a player introduces something use it. Put it in the middle of the action and find out what the player will risk to protect it. And if they fail, make the consequences reflect its importance.

Day 8: Make it accessible and diverse. Twitch and APs are a great tool for this and we’re already seeing a boom thanks to it. Now we need to build on the momentum and promote more shows with diverse casts to really show that gaming is for everybody.

Day 9: I don’t know why but anytime a game hits me with the feels it surprises me. It’s not like I don’t expect it to happen but the ability of games to unexpectedly sneak past emotional barriers always gets me and I love that they can do that. Even though I’ve not had a chance to play as many of them as I’d like I love the fact that there are now a broad range of games where that’s the intention, that aim towards that intense emotional experience.

Day 10: I’d like to say that it has made me more confident and outgoing but I’m not sure that’s the case. It has, however, helped me find who I am and provided a constant grounding when times have been tough. I wouldn’t be who I am now without it.

Day 11: Blade Terrell from an early BESM 2e game. Carried a final fantasy type oversized sword but refused to use it unless he felt his opponent was enough of a challenge to be worthy of him drawing it.

Day 12: Easy answer, Doyl my @DG_DemonHunters caffeinomancer who also happens to be my favourite character to play.

Day 13: I was really stat and gear focused when I started with RPGs, a carryover from my time as a wargamer (seriously, 40K 2e allowed each space marine in each squad to have a unique loadout, a bookkeeping nightmare). I slowly realised it wasn’t the stats that I enjoy, it’s the descriptors and options that the gear opened up in the narrative. It’s why I’m a big fan now of descriptive tags as opposed to 10’s of pistols with negibly different range/damage/cost combos

Day 14: I made the mistake of describing offhand an interesting location to a group of @DG_DemonHunters players finishing with ‘and it’s off-limits for reasons you don’t know’ thinking that would be it and we could start the actual adventure. Of course, the players had other ideas and went to explore. I literally screwed up my existing notes, threw them away and called a beer break 5 minutes into the session so I could quickly rejig. I was upfront with them, they had completely thrown me off. Thus we started my first entirely improvised adventure. It was amazing and later ended with a player led near-TPK as the paranoid PC sniper attacked the newly turned PC vampire. Under attack, she gave in to her urges and turned 2 PCs before we faded out.

Day 15: Difficult question. Best example would be a playtest of Project Cassandra @Dragonmeet – I received a lot of critical but valid feedback that at the time was difficult to hear but extremely valuable and caused me to go back and redo the entire skills system.

Day 16: My next scheduled game is a #Firefly one shot using my Niska’s Race scenario. I’m looking to promote more non-D&D games where I play (@sugaranddice in Liverpool) starting with some well-known franchises before I broaden out into smaller indie games.

Day 17: This is easily having my original Demon Hunters adventure Channel Surfing used as the demo scenario at #GenCon this year. It’s available as a PWYW download from here:

Channel Surfing

Day 18: I actually wrote a whole mini-series of blog posts about inspirational artwork which are at: https://lunarshadowrpg.wordpress.com/category/inspirational-artwork-2/ … but in typical fashion haven’t actually ever used any for the basis of a campaign.

Day 19: Nothing that comes to mind. I’m not a big music person and really don’t enjoy music at the table. One of my pet peeves is when GMs bring portable speakers to con games and conveniently forget they’re sharing the space with other tables.

Day 20: Complications on success, such as in Cortex when you roll a 1. Really like the ‘yes and…’ element and way that it can add an unexpected twist, especially when you get the players to narrate it.

Day 21: I’m going to go with something I’ve yet to actually try out – Resource dice from The Black Hack (and spin-offs such as @cthulhuhack). An elegant and simple way of dealing with limited resources that doesn’t require too much bookkeeping.

Day 22: Non-dice system eh? Hell 4 Leather, a great pick up narrative game of supernatural revenge by Prince of Darkness games. The tarot system provides great flavour and its just so much fun to watch characters get hunted down scene by scene. In terms of a non-dice mechanic then the pathways and relationship map of Smallville, such a great way to set up the relationships not only between characters but also the environment by highlighting places of significance from the outset.

Day 23: How long do you have? Seriously, my play again list is almost as long as my yet to play list but to pick just a few: Smallville, Dresden Files, Torg, Demon Hunters, L5R

Day 24: Again I could provide you with a long list of games here, especially given that here in #Liverpool #DnD just seems to swamp everything else. I’d also love to say Project Cassandra but given that’s still not out (one day!) that feels like a cheat.

Recommendation 1 – Demon Hunters: A Comedy of Terrors by @deadgentlemen and @boymonster. An amazing game, with a great setting and my favourite implementation of Fate like rules (I’d place it as somewhere between Fate and Cortex)

Demon Hunters

Recommendation 2 – Remember Tomorrow by @gregorhutton / BoxNinja – A lightweight cyberpunk game focused on the needs and wants of the characters and their desire to escape the bonds that define their lives

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Recommendation 3 – Another @boymonster game, Smallville RPG. The Drama iteration of Cortex Plus didn’t get the recognition that I feel it deserved and I’d love to see some non-supers uses of it, its perfect for hospital dramas or over the top soap opera.

Day 25: Part of me want to hates that this is my answer but #Dnd 5e. My gaming has been rather sparse over the last year and it’s only through the fact that D&D is having such a surge in popularity that I’ve been able to game at all.

Day 26: Is a regular non #DnD game aiming too low? Because I’d be happy with that. Aiming higher? Publish Project Cassandra and more Demon Hunters material plus attend some conventions.

Day 27: There’s only one AP I regularly listen to: @happyjacksrpg though I limit myself to 1 game at a time (currently the #L5R Inukai Saga). Seriously don’t know how they manage to fit so many games in! #rpg

Day 28: This is another question where I could reel off a long list so I’m going to cheat a little by saying the members of GUGS during my time there.

Day 29: Again too long a list, the vast majority of my close friends since finishing school I’ve met through gaming of one sort or another. Hell, my twitter list is almost exclusively made up of gaming people which is probably why I post here far more than on FB. I flew to the other side of the world to attend @StrategiconRPG in 2015 with people I’d only ever interacted with online. Absolutely amazing experience, forget GenCon, that was the best 4 days in gaming for me and I’d do it again if I could afford to. And when I got married earlier this year many of the attendees were friends I’ve made through gaming, including my best man @emzyesque who I’d have never met without this crazy hobby of adults playing make-believe.

Day 30: I mostly GM so in terms of NPCs – that they’re often the weakest part of my games in terms of characterisation. Something I’ve been working on since the start. In terms of PCs – Often my characters are very reliant upon the mood of the table around me. For example Doyl, my DH caffeinomancer, really needs an upbeat group for me to play him as the painfully cheerful character he is meant to be.

Day 31: Why do I participate? Like podcasts it keeps me engaged with the hobby on a day to day basis, which is important to me given how much my actual gaming time has varied over the last few years.

Your sandbox sucks

Most sandbox games suck. Why? Because all too often the idea of player led, follow what interests you type campaign leads to complacency on behalf of both the GM and the players. GMs feel like because the plot is in the hands of the players they can’t do any prep while players… well players rarely know what motivates them. So the game lurches from one random encounter or fetch quest to another, never adding any depth to the world until the campaign dies from a severe case of the blahs.

I say this from experience. I’ve attempted to run games that have fallen foul of it and I’ve seen it happen almost every time somebody suggests a sandbox. It even happens in video games. For example Skyrim, one of the best-selling open world games ever sucked.

Why?

Because its world was shallow and unconnected. Major quests had almost zero impact on the wider world while the procedurally generated quests made it seem like you might end up being sent to each and every mound of grass to fight the ghost/skeleton/cultist/bear that had stolen the favourite spoon of meaningless NPC #1,234,799. You could be the archmage in one town but a peasant in the next. Plot threads by the dozen but never weaved together into something more.

And because it was open world if you decided not to stop pursuing a quest part way through it would just sit there. Waiting. Tired of the civil war? We’ll just go away for now. Bored of dragons? They’ll wait to complete their plans while you go and explore another loot filled cave just outside town that somehow nobody knew about.

Now apply that to a tabletop RPG. But with even less depth because the GM didn’t want to force their plot on the players so hasn’t added any detail to the world.

It should be the opposite.

If you’re running a sandbox then you need to know so much more about the world or be able to wing it. You need factions and NPCs galore that all have their own motivations and goals before the PCs are even on the scene. Plot hooks should be abundant, to provide PCs more options than they could possibly deal with and when they resolve one then there should be consequences for leaving the others hanging. Take out the gang harassing the neighbourhood? Fantastic, except now little Jimmy’s cough has put left him six feet under because you didn’t get him the medicine he needed in time.

As for the PCs well they should be just as detailed as the world. They need lives and families, wants and needs if they’re going to have some real motivations. They should know why they’re in the world and what’s driving them and it should be established in collaboration with the GM so that they don’t exist in a vacuum.

Do what you want is meaningless if you don’t want for anything.