Fall of the Immortals: Room for Improvement

We’re now four sessions into our D&D campaign Fall of the Immortals and it’s shaping up quite nicely. The PCs have reached level 2, the players are beginning to find their feet and we’re slowly establishing the details of the world in an approach that is somewhere between traditional D&D and the PBTA trappings of Dungeon World. I’m making an active attempt to ask the players to define details without overwhelming them.

There is, however, plenty of room for improvement on both sides of the screen and based on our most recent session one of mine is that I need to improvise less. This seems counter-intuitive in many ways as my progress as a GM over the last few years has been squarely towards improvisation. Going into our last session my concrete notes were little more than

PCs infiltrate noble party looking for the scroll. Upper echelons of gnome society; modron like mechanical creatures used as guards.

However, when it came to running the session I felt that while I was able to introduce scenes I felt like they lacked depth and that the connecting elements were paper thin. I had little sense of how the mansion was designed, of who the host was or of how the PCs might uncover the whereabouts of the scroll. When the PCs chanced upon an interesting location, such as the library where monodrones were loading and unloading books from cages that were slowly rumbling past, I then failed to provide proper context. The PCs decided to follow the cages of books, which led them to a room where dozens of shackled scribes were working away furiously on… something. My mind was blank, I just couldn’t think of a good explanation for them existing beyond trying to explain elements of the previous scene.

Fortunately, the PCs didn’t dig too deep and I wouldn’t be surprised if the players hadn’t picked up on my troubles but even so it is bothering me. The solution is likely that I need to prep more, taking those few sentences of notes and expanding them slightly. For example, going into the last session I knew the PCs were infiltrating the party so a few notes on the mansion would have helped. I knew they were after the scroll so I could have made notes on where it is and what might be protecting it. I’m never going to go the way of full on adventure paths, with every detail described in advance. I have neither the time or the inclination to put that much restricting prep in. But some more prep would have been invaluable without preventing the addition of elements on the fly.

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Forward Planning: Sections overviews

I’ve spent the last couple of weeks dividing my time between a couple of projects, including the research for Ghosts of Iron. While I hadn’t originally planned to pick it up just yet this included purchasing Savage Worlds: Adventure Edition and getting up to speed on the changes to the system. This was made possible thanks to an unexpected conflux of events – the book being released in a near final format and the unexpected surprise that I had made enough from sales of my Demon Hunters adventures to purchase the pdf outright. So to everybody that has made a purchase – thank you.

My second focus has been pouring over the One Sheet adventures released by Pinnacle. When writing my Adventure Starters I have found breaking the text down into sections from the start is invaluable. It provides a clear focus and when faced with a limited word count helps me to judge the respective weight to assign to each part of the adventure. So how do One Sheets break down?

First, the obvious – They’re limited to one double-sided sheet. On average that breaks down into ~1500 words of pure text, including heading the many one/two character words such as d6 that are used for character or monster attributes. In the grand scheme of things that is officially Not Much.

From there, adventures tend to break down as follows:

Introduction & background – A quarter to half page setup for the adventure that details what has already happened and why the PCs would become involved.

The plot – A brief walk-through of the plot covering half to three quarters of a page. Due to the inherent limitations of the format this is usually presented in a simplified linear fashion based on the assumed progression of the PCs. Those same limitations often prevent railroading as the job of providing depth and details is left to the GM.

The twist/set piece – More often than not this involves a climatic combat against the major antagonist followed by a brief conclusion. Typically half a page long. For Ghosts of Iron my intention is to slot this into the middle of the adventure, to provide a transition scene between locations and to showcase a mechanic that is often underused (in my opinion).

One major antagonist and an Extra – A half page, condensed entry detailing the major antagonist, their stats. If space allows for it this may also include the stats for an Extra, although many rely on references to associated setting books to save space. Unless the adventure is combat oriented this is usually a quarter to half page in length.

So now that I have an a breakdown of the format how do I proceed? My first step, unusually, is to just ignore all of the above. Instead I concentrate on fleshing out the adventure via bullet points and notes. For this I mostly rely upon a design notebook that I carry in my work bag and I just jot down any and all thoughts that come to mind, connecting and cross-connecting them as the adventure comes together. The process is as much a way to stimulate my mind as it is to produce any actual output.

From there is the first bash at writing, the stage I am currently at. Using my section breakdown as a guide I start to put the adventure together. At this point word count isn’t important. While writing my PhD thesis I learned the hard way that I tend to overthink my writing and try to edit as I go. It’s not a process that works, I go round in circles trying to perfect a single paragraph before I even know what the rest of the page will look like. Part of why I maintain this blog is to work on this, I try and keep my editing on posts here to a minimum. They may not be as polished as I’d like but it forces me to just write and get my thoughts down on paper.

So that’s where I am – Working on the first draft, mostly during my commute to and from work and then slowly pulling it all together.