The Sprawl is built around missions and the Corporations have no shortage of dirty money but if you want to take the fight to them that means subverting their goals, one directive at a time. Mission Packet 2: Subversion introduces three new, non-Corporate factions struggling to fight against the system, custom moves for subverting the goals of the Corporations and missions for each faction for once you have earned their trust. The Factions introduced in this Mission Packet are:
The Synth Republic, who seek to rescue captured AI from the hands of their Corporate masters and provide them the opportunity to experience life in the physical domain.
The Peoples Union, local gang or the last protectors of labour rights? When they offer you the chance to wipe the debt of thousands of workers from the system will you step up to protect the downtrodden?
The Env, anti-capitalist environmental activists pushed to take extreme measures in their fight to protect what little is left of the natural world.
Mission Packet 2: Subversion is available now from itch.io and drivethruRPG (includes affiliate link) for $1.50. This release requires a copy of The Sprawl RPG to play.
What’s so [redacted] about [redacted]? is a game of psychic operatives during the Cold War, fighting to prevent a dangerous vision of the future from coming to pass. The game was created as a submission for What’s so cool about Jam and hacks the simple system of What’s so cool about Outer Space by Jared Sinclair to focus on psychics out to save the world.
The premise of the game might sound familiar and that’s because it serves as an introduction to the world Project Cassandra. The game builds on the concepts developed for Project Cassandra, most notably by allowing players to outline elements of the adventure from the outset, which provides the GM with a road map of scenes to work from. As an added incentive to interact with each scene the player that predicted it gains an ongoing bonus thanks to their foreknowledge of the event.
For a game that came together in less than a fortnight I’m extremely proud of the result. It fits the aim of the jam, aligns with the core concepts underlying Project Cassandra and also looks the part.
What’s so [redacted] about [redacted]? is available now from itch.io and drivethruRPG (includes affiliate link).
With the release of Playtest Packet 2 over on itch.io I wanted to take the chance to sit back and think about how far Project Cassandra has come since its inception. I first started working on it in 2013 with the intention of putting together a hack of the amazing Lady Blackbird RPG. That game is a masterclass in design, especially with how much depth it manages to convey in only a few pages. The characters are fully realised, the rules are elegant and the minimal description of the setting somehow flips a switch in your brain to fill in the gaps without you even realising that that is what you are doing. I’ve played Lady Blackbird numerous times and while the setup for the scenario is predefined the game always plays out in a unique way.
My aim with Project Cassandra was to replicate that, with a scenario that started the same way each time (a premonition of the President being assassinated) but that naturally spun off into its own, contained story.
But why Cold War psychics? The inspiration for that is, as it turns out, a little more disjointed. I’d reread the original Jason Bourne novels, which are set during the Cold War, not long before starting work on the game and had subsequently gone digging into some of the conspiracy theories from the era. It was a bit of a Wikipedia rabbit hole. Most, such as the Majestic 12, are just that – conspiracy theories with no actual evidence but as is often the case truth is stranger than fiction and I ended up reading about dozens of formerly classified projects.
The most famous is probably Project MKUltra – which explored extreme approaches to interrogation and mind control. That project was itself preceded by Project Artichoke – which sought to determine if a subject could be programmed to perform an assassination against their will. Then there was Project Stargate, which investigated remote viewing and psychic abilities as a method of gathering intelligence.
With all these real world examples to draw the only thing that I needed to introduce with Project Cassandra was the element of success. The secret project that had trained a group of psychics but then ignored their warnings, forcing them into direct action.
In the summer of 2013 the final piece of inspiration came into play – a video game. Specifically The Bureau: XCOM Declassified. The game was fun without being spectacular but two aspects stood out. Firstly, it was rooted in the aesthetics of the Cold War which helped reinforce my choice of backdrop. Secondly, the abilities of the characters struck me as something that would complement the system. I had already started to develop Project Cassandra, including the use of Powers (again inspired by the abilities in Lady Blackbird) but the way the game implemented them, and encouraged interaction, cemented my desire to make them a core feature of the game.
From there the game went down the usual route of alterations, tweaks and dead ends that I’m sure are familiar to any designer but looking back it’s comforting to see that many of the core elements were present early on and I can’t wait to finally release the game next year.
During the last few weeks I’ve been working towards a fairly major milestone in the development of Project Cassandra – the completion and release of a second playtest packet for the game which is now available as a free download via itch.io.
Playtest Packet 1 featured a minimal rules set, a single mission and pre-generated characters. Everything was there from a technical point of view but for anybody other than myself it would have been a stretch to run the game in the way I have always intended. This new release improves on the prior one in almost every way. The rules have been placed into context with explanatory text while new explanatory text sets the game and how to play in context. Crucially this includes additional detail on the central role of precognition to the game, from the opening questions during setup through to the use of premonitions during play.
Framing all of these changes is a test layout that I have been working on since purchasing Affinity Publisher earlier this year. While there are still tweaks to be made it looks great and helps immensely in setting the tone of the document. I’m hoping that in the coming months I’ll be able to use it for some test printings, both to test out a couple of zine options and to show it off in the run-up to the kickstarter.
Yes, kickstarter. Specifically ZineQuest 2021.
I’ve been considering the possibility since this years ZineQuest as the format is an ideal match for Project Cassandra, which I have always envisaged as fitting a small booklet form. It would also allow me to bring an editor, and possibly some writers, on board. That gives me five months to complete development and more importantly spread the word about the game so if you download the playtest packet I would greatly appreciate any comments or shout outs about the game. As a tiny indie designer it can often feel like I am shouting into the void when it comes to my work so any boosts are greatly appreciated.
After partaking in a Demon Hunters roundtable discussion last month (or was it the month before? Time is weird right now) one of the points that I’ve been pondering is how to model transformations more deeply in the system. Part of the complexity is that transformation covers a wide range of possibilities. From an at-will shapeshifter like DS9s Odo to a traditional, only at the full moon werewolf.
Rather than try and cover all of the options in a single post (or with a single rule) I’ve focused initially on what one of the attendees termed the Pressure Cooker, a transformation type where you have to build up a meter before you can transform into a powerful but focused alternate form. The Hulk would be a clear example, with Bruce Banner having a Rage track that must fill to a certain point before he can transform into the Hulk. Once transformed his ability to do anything more than smash things is severely curtailed.
I had initially intended to present these rules with an associated, rotating character sheet but that is taking longer to put together than I had anticipated (I decided to use it as a challenge to learn how to use Affinity Designer) so instead here is the current rules draft:
When you take harm you may redirect up to 5 hits to your Rage track – tick off 1 box per hit. If the track crosses the first boundary marker you may transform with a successful roll of Forceful + Fringe (werecreature), difficulty 10. If it crosses the secondary boundary marker you transform automatically and against your will.
After transforming rotate your character sheet 180 degrees.
While transformed you may only take actions actions that align with your reduced Approach + Discipline list. All other rolls are at 2d4 or impossible. While transformed you have 3 approaches rated at d10, d8 and d8 and 2 disciplines rated at d10 and d8. You may raise 2 of these by +d6 to represent the supernatural enhancements of your alternate form.
While in your Rage form you clear 2 boxes per turn (DM discretion out of combat). You may extend your rage by passing Demon Dice to the DM – tick off 1 rage box per die, up to a maximum of 3 per turn. Allies and antagonists may extend/shorten your Rage by invoking relative aspects – for each Faith/Demon die spent fill or clear a Rage box. Example aspects which could be invoked may include Scathing insult or Tranquiliser serum.
You may attempt to return to human form only after your Rage drops below the willing transformation boundary. Roll Forceful + Fringe from your human form, with a transformation difficulty equal to the number of filled Rage boxes. If the number of filled Rage boxes ever drops to 0 you automatically transform back.
The Sprawl is built around missions – The Corporations have no shortage of Credits but if you want their money you had better be prepared to do the dirty work. Steal a prototype, extract an assets or trash the market value of a rival – all in a days work for the deniable, and disposable, teams that work outside the system.
Within this Mission Packet you will find three one page job outlines to offer up to your operatives. These three missions have been constructed around the core theme of N.E.O. – Near Earth Orbit.Each one page outline provides background, mission directives and advice on running the mission.
The remaining details? They’re up to you and your operatives.
Mission Packet 1: N.E.O. includes
The Geller Protocol – A liberated AI seeks a route to the stars while its corporate masters will do anything to return it to their private networks, including recruiting a synth bounty hunter to erase any evidence of the leak.
The Shynom Bombardment – Radicals have taken hold of an orbital refinery. Before the Corporations crush the rebellion they need you to ensure an appropriate rival is blamed for the uprising.
The Equatorial Ascension – An ailing King has summoned his successor to the orbital palace but it’s time for the dynasty to enter the modern age. Switch out the Crown Prince with a doppelgänger while they ascend towards the heavens and bring the family into the Corporate fold.
Mission Packet 1: N.E.O. is available now from Itch.io or drivethruRPG and for the duration of the Coronavirus epidemic is available as Pay What You Want download. Like what you see? Then check out The Synth Convergence, a full trilogy of missions for The Sprawl available from Itch.io and drivethruRPG.
Mission Packet 1: N.E.O. requires a copy of The Sprawl RPG, available from drivethruRPG. Links to drivethruRPG include the LunarShadow Designs affiliate ID and may earn me a small commission at no cost to yourself.
Gods. Demons. Magic. The supernatural. It’s all real and the only thing that stands between it and the end of the world is the Brotherhood of the Celestial Torch. That and paperwork, because do you know how difficult it is to get a permit for the end of the world? #@&%ing difficult and more than one apocalypse has been averted because the resurrected avatar of Death failed to file the forms in triplicate before commencing their rampage.
So while the lawyers file another round of injunctions against infernal interference we need you! We need you out there on the front line, protecting the mortal realm from more mundane evils. Horny teenage werewolves, vampires with questionable personal hygiene, lactomancers. Jims.
Fight the good fight. Who knows, you might even survive the day.
Slice of Life: A Demonic Fiasco is a playset for the Fiasco RPG inspired by the Demon Hunters: Slice of Life episode Clean Up Crew. This playset requires a copy of the Fiasco RPG by Bully Pulpit Games. Knowledge of the Demon Hunters franchise by Dead Gentlemen Productions is recommended.
Slice of Life: A Demonic Fiasco is available now as a Pay What You Want download from Itch.io or DriveThruRPG (link includes the LunarShadow Designs affiliate ID).
After a rush of activity at the end of 2019 I’ve started the year a little more sedately while I work out what I want to focus on. Right now that has involved a significant amount of jumping between ideas, making a little progress and then moving to the next one. I’ve completed a draft of The Geller Protocol, the first of my Sprawl mission packets (using a minimal one page format) and made headway with Say Aaargh, an expanded version of the very first Demon Hunters adventure I ever ran. Progress on Clean-Up Crew continues to evade me – the Fiasco format is harder to get my head around than I ever imagined but I would really like to get it completed so I can wrap up the Slice of Life material.
In typical fashion it is The Dyson Eclipse where my brain is firing on all cylinders. It probably helps here that I’m still at the ideas stage, so I can just jot down options and possibilities without needing to work them into a cohesive whole. What I’m still missing though is that central conceit.
What is the core focus of the game, what do the characters do.
Until I can get that solidified any real progress is going to be at a glacial pace as I can’t lock in mechanics without that aspect. So for now I’m researching – despite being a massive sci-fi fan my collection of sci-fi RPGs is relatively small. I’ve picked a few core systems to go over, to see how they work through the problem and what options they present for gameplay beyond the typical scoundrels in space.
The final thing I’ve been working on is learning to use Affinity Publisher after buying a new desktop computer for at home. That has been a lot of fun and I’ve been going back to basics as I get to grips with it. So far, so good and I think the fact that I have a much better appreciation of layout concepts than when I first opened up Scribus has been a massive help. I’ve started to put together a series of layout templates for Demon Hunters as once Clean-Up Crew is out I’d like to do a complete revamp of my layout. There isn’t anything explicitly wrong with my existing format but it could definitely be a lot better. The alternate badness table incorporated a number of new elements and going forward I’d like to have a template that would be useable for both PDF and print formats. Yes, that’s right. Print. DrivethruRPG offer print on demand options so I think it is worth exploring. It would be great if some day in the future I could offer material at a convention and this is one of the options that would facilitate that.
After saying that I’d started off sedately putting this together actually makes me realise that I am already making progress on projects even if it isn’t automatically apparent.
As the hobby grows and diversifies there has been a growing trend amongst indie developers to talk about sales and earnings. While I am only a small hobby publisher I wanted to put my numbers out there, partially so the info is available but also as a point of reference for myself for next year.
2019 Sales (Paid / Total)
Total Sales since release
– / 18
3 / 20
2 / 24
4 / 37
Trick of the Light
6 / 106
2 / 71
The Tannhauser Investment
– / 299
The Synth Convergence
17 / 17
Earnings represent my personal take home after deduction of marketplace fees and automatic payments to collaborators.
2019 Paid Sales / Community copies / Total Downloads*
0 / 0 / 0
0 / – / 1
0 / – / 1
Trick of the Light
0 / – / 4
0 / – / 2
The Synth Convergence
2 / 3 / 39
*Itch reports the total downloads for a product as the sum of each individual file as opposed to number of individuals who have purchased the product. For The Synth Convergence this sums both downloads of the free demo and the two files in the full trilogy – what I don’t know is whether those are by the same users or unique users. Earnings represent my personal take home after deduction of marketplace fees and automatic payments to collaborators.
Not listed in those tables is the £60 for Ghosts of Iron as part of the Crystal Heart kickstarter or a small amount of affiliate link earnings, adding those in brings my total earnings for 2019 to ~£110. Not exactly much but definitely better than nothing.
Looking at the tables there is quite a stark difference between the two platforms. DrivethruRPG is the dominant marketplace for RPGs and the number of downloads reflects this. It is impossible, however, to determine how many of those downloads represent active engagement with the product versus people scraping the site and downloading every free/PWYW release.
With the exception of Missionary Opposition, which started as PWYW before I switched it to a $1.50 paid product, each of my adventure starters for Demon Hunters have been released as PWYW. The main reason for this is because I originally pledged to produce them as a way of supporting the Slice of Life kickstarter. I said I would make them freely available and I have but going forward my plan is to switch over to a predominantly paid model. The overall sales will be smaller but I would like to price future adventures higher to reflect the work that has gone into them. The question here though is whether there is a market for more Demon Hunters material.
The big seller was obviously The Synth Convergence, which has quickly racked up a number of sales. I’d attribute this to two things – The Sprawl is quite a well know game and it received a number of promotional boosts thanks to people retweeting or mentioning it. Even with that though the number of sales on drivethruRPG were higher than on itch. I’ve seen people talking about itch being a better platform and getting more sales than on drivethruRPG but I think that is going to be very dependent on what you’re releasing, whether you’re a known entity and the circles you interact with. I’m not going to stop publishing there but clearly it will require more work going forward.
Hollywood. People go missing all the time, it’s a big place and people don’t tend to announce when they’ve decided to give up the dream and head back home. So when a 3rd rate mystic was apparently possessed live on daytime TV the Brotherhood took notice and your team got the call. Track down the mystic and find out what’s really going on. They’re probably just another run of the mill fraud but if not we need to find the spirits and this group of talentless hacks before whatever they summoned gets loose.
Talentless Hacks is an adventure starter for the Demon Hunters: A Comedy of Terrors RPG by Dead Gentlemen Productions. Inspired by the Demon Hunters Slice of Life bonus episode Feed the Beast this adventure starter provides a framework for DMs to adapt and run an adventure for their home groups.
Within it you will find a mission overview, breakdown of important locations, intel, threats and a collection of NPCs to populate the adventure. With an open ended structure it is up to you and your group to decide how the adventure will unfold
Will the Chapter save the day? Possibly.
Will they be lauded as heroes? Unlikely.
Will the chaos and destruction that follows them be captured on camera and risk exposing the entire Brotherhood? Almost certainly.
Talentless Hacks is available now from drivethruRPG and itch.io as a Pay What You Want release. Paid purchases, feedback or reviews are greatly appreciated and keep me motivated to produce more material.
Disclaimer: Links to driveThruRPG include the LunarShadow Designs affiliate ID. If you chose to purchase anything using these links I will earn a small commission from driveThruRPG at no cost to you.