#RPGaDay2019 10th August: ‘Focus’

August has come around once again which means it’s time for RPGaDay 2019. In a shift from the questions format of previous years this year is characterised by a series of prompts, which I’ll be attempting to answer each day with a short post, with the prompt word highlighted in bold each day.

Day 10: Focus

My focus for the rest of the year is releasing material. I’ve got a backlog that I need to get through before I can begin to focus on newer ideas. The Slice of Life Adventure Starters are top of the list. I’ve enjoyed producing them but I had wanted to have them all done well before now, as opposed to still having two of the five left to produce. Talentless Hacks, inspired by the bonus episode will follow the same approach as those that I have released before, a relatively traditional mission structure with clear antagonist. Clean-up Crew is a different kettle of fish though as I’d like to release a playset for Fiasco. I’ve started putting it together but am finding it a surprisingly difficult task. On the surface it should be simple, a playset is merely a series of lists but ensuring that they all work, are thematically useful and help build the type of story fiasco strives for is a challenge.

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#RPGaDay2019 4th August: ‘Share’

August has come around once again which means it’s time for RPGaDay 2019. In a shift from the questions format of previous years this year is characterised by a series of prompts, which I’ll be attempting to answer each day with a short post, with the prompt word highlighted in bold each day.

Day 4: Share

During the initial development of Project Cassandra I was posting material fairly regularly but then took it all down after the messy Dragonmeet playtest. I’m only now rectifying that error and starting to share it again. I should have left it all up but the more I put off working the problem the less I wanted it out there. So in the spirit developing in the open here are the current character sheets, two of which are brand new and were written for the recent BurritoCon in Manchester. Included with that is a small GM pack, covering a basic rules cheat-sheet, summary of each characters skills and the all important opening questions for ‘Ich bin ein Berliner’, the scenario I created specifically for the convention.

So here it is, the first playtest packet for the latest iteration of the game:

New Release: Trick of the Light Adventure Starter

Recruitment drives. When you go through Agents at the rate the Brotherhood does they’re a necessary evil. Normally we’d send somebody from personnel but they’re on an away day. Again. So pack your bags, you’re off to Vegas and the Convention of Magical Americans. We need you to scout the show for any potential recruits, every year there’s at least one true student of the arcane arts mixed in amongst the stage magicians. Not that you should discount the illusionists, misdirection and sleight of hand are just as valuable in our line of work.

We’ve nabbed some press passes for you. Well, we told them you were influencers… whatever that means. So look the part and try not to go too viral, your health insurance doesn’t cover that.

Trick of the Light is an adventure starter for the Demon Hunters: A Comedy of Terrors RPG by Dead Gentlemen Productions. Inspired by the Demon Hunters: Slice of Life episode The Amazing Velma this adventure starter provides an open framework for GMs to adapt and run the adventure for their own groups. Can the Chapter find and recruit mystical talents without blowing their cover? Was the death of famous magician Griff McCarn really an accident and how on earth do we get Nicky to leave us alone?

Trick of the Light is available at drivethruRPG & Itchio as a Pay What You Want PDF download. Paid purchases, feedback or reviews are greatly appreciated and keep me motivated to produce more material.

Download it now from drivethruRPG or Itchio

2019 Progress: Halfway there?

As ever time marches on and all too soon the first six months of the year have passed. Given my hope of this year being the one where I move a host of projects forward I thought it would be worthwhile to do an update on my goals for 2019.

Have dones

  • Written and playtested Ghosts of Iron for the Crystal Heart RPG. I’m in the process of revising the text before I submit it. Should be released to Kickstarter backers later this year.
  • Completed the draft for Trick of the Light, my next Demon Hunters adventure starter inspired by the Slice of Life web series. Currently editing and moving it to layout so should hopefully be released soon (ideally before GenCon).
  • Drafted three missions for The Sprawl and handed them over to @HyveMynd for editing / layout. Aiming for a release later this year.

Ongoing

  • Attending conventions – I made a 1 day trip to UK Games Expo 2019 and will be attending BurritoCon 3 in Manchester later this month. I’m also aiming to attend DragonMeet later in the year, if I do I’ll be running games as part of Games on Demand.
  • Progress on Project Cassandra! I posted up the current characters and a rules summary (which is now itself out of date) and am in the process of putting together a playtest packet for BurritoCon. First public playtest since the disaster of Dragonmeet.
  • I have notes for the remaining two Slice of Life adventures and have decided that the Clean-up Crew scenario will be a Fiasco playset given how well the episode meshes with that system. These will be my next focus after Ghosts of Iron and Trick of the Light.
  • The D&D Immortals campaign continues and has passed the tipping point, with the characters ensnared by Destiny and heading towards some epic showdowns with the previous generation of Immortals.

Will I evers

  • Patreon. With the change in how Patreon were going to charge creators I decided to sign up for one with the thought of actually starting it later in the year. Right now I’m sitting on it for the simple reason that it won’t work until I manage to build some interest in what I produce and the first step in that is to actually produce some material. I haven’t released anything since last year and right now I don’t have a core focus for any Patreon project. I don’t know if there is enough interest in material focusing solely on Demon Hunters while most of my other projects have been standalone. Regardless of whether I ever do use it my first goal has to be building up a catalogue of material I can point to.
  • The Kingsport Tribune one-page Cthulhu idea looks like it is going nowhere, just didn’t come together though it did give me some practice with a newspaper style layout.
  • Rocket Demons of Antiquity is on the backburner for now. I’ve come to the conclusion that it is a scenario that will require an ongoing campaign to delve into as opposed to my typical one-shot playtests. Plus I’ve got at least three other adventures inspired by previous campaigns where I already know the story-beats to write up first.
  • DMs Guild material – While I have notes for a few products I’ve yet to make any move or progress towards writing them up. Although I expect they would be far bigger sellers than anything I’ve produced to date I’m fortunate enough to be in the position where that isn’t a priority so I can focus on the material that most interests me.

#AprilTTRPGmaker Roundup

I’m quite fond of attempting the daily post challenges that pop up on Twitter, they provide a quick way to engage with the RPG industry outside of my own little corner of it and more often than not get me thinking about aspects of it that I may not have spent as long on as I should. The April TTRPG maker challenge has been no exception, particularly with its inclusion of questions that have asked me to think about the status quo and my place within it. Below, my daily answers, which turned out to be far longer than I had originally expected. Thanks go to @kiranansi for putting it together – check their profile for more of their work including More Seats at the Table, an email newsletter designed to highlight games by creators from marganalised communities.

aprilTTRPGmaker

1) I’m Craig – geek, gamer, geneticist based in Liverpool, UK and I publish under the umbrella of LunarShadow Designs

2) My published material so far has been adventure starters for @DG_DemonHunters Demon Hunters: A Comedy of Terrors RPG. Later in the year will also see releases of adventures for @Upto4Players Crystal Heart and @TheSprawl_RPG (in collaboration with @HyveMynd)

3) Commuting. Most of my time to and from work is spent thinking about RPGs or jotting down ideas (notebook/one note). My old London commute was even long enough to do bursts of writing or layout.

4) Not entirely sure, I like variety. I guess the closest answer I have is ones with clear conclusions. I much prefer a single clear and central arc for a campaign and would rather a fixed duration than open ended games. Is that a scenario though? I don’t know.

5) At the table – Characters. While I enjoy worldbuilding in my experience it rarely gets seen. It’s a valuable prep aid for GMs but ultimately the characters have greater impact based on their choices at the table.

6) While there are games where I’d happily spend the evening reading then just for the enjoyment I get out of their world building (L5R, Corporation, Demon Hunters) for actually running games I am slowly shifting towards shorter texts. It helps that these days my system preferences tend towards games that avoid pages of virtually identical weapons or hundreds of creatures each with a full page of stats etc

7) The first of probably many difficult questions. In terms of cost I can see the arguments for lower entry price points but many professionals seem to struggle to make a living and actually, I think RPGs are often incredible value for money per hour of play. Regards disabilities first and foremost speak to those who are affected. One relatively easy thing I think we can do is release plain text files alongside regular PDFs. Fancy layout and backgrounds look nice but aren’t accessible for a lot of people.

8) I’ve only had the pleasure of working with a small number of people, all of whom are amazing. @emzyesque on my @DG_DemonHunters material, @HyveMynd with our missions for @TheSprawl_RPG and @Upto4Players who offered me my first commissioned writing credit. There are plenty of others I would love to work with in the future but before I get to that point I need to clear the backlog of my own personal projects.

9) They largely follow a traditional asymmetric setup with a GM taking on a lot of the perceived ‘power’ of defining elements. Overall I don’t have any issues with that so long as everybody, GM included, understands and respects the different roles.

That said with Project Cassandra one of the things I have tried to do is shift some of the ‘power’ to the players (which I’m defining here as anybody who isn’t the GM) in a way that explicitly fits with the setup – individuals with psychic powers. The PCs all possess precognitive abilities so it makes thematic sense for them to occasionally control & define significant narrative details. The rest of the time it is out of their control, thematically in line with the emergence of the conspiracy.

This isn’t to say that every game should be that way. I want to experiment more with shared narrative control and mechanisms where the ‘power’ at the table shifts during play. But that’s in the future, once I’ve finished my existing projects.

10) This is one of the questions where I am going to hold my hand up and say I don’t know if they do and that I need to do more work to learn about the issues, especially the subtler aspects that are ingrained into large parts of Western culture.

11) I’m going to cheat and shoutout to @GauntletRPG and @MoreSeatsRPG who both work towards promoting creators that have historically been (and often still are) marginalised within the community. I could highlight one person, they regularly highlight dozens.

12) I’ve got multiple answers to this based on the angle that I look at from. First and foremost – listen and learn when people tell you that something is a problem or preventing/restricting their inclusion. Secondly support and promote. This is something I can do better on, I try and back interesting games where I can but monetarily there is a limit to what I can spend. Spreading the word about them? That’s free and is something I need to do more.

As a creator I have a few approaches that I use. I try and keep my text non-gendered unless I am specifically talking about somebody whose gender has been defined. When creating characters I define stats and then randomly assign aspects such as gender/race. Then I go back and check if there is a significant imbalance – do I have a broad mix. I’m a straight, cis, white guy, it would be mentally easy to fall back on cultural defaults. Having a process prevents that and also works to redefine those mental defaults.

13) Not at present and I have no plans to do so any time soon.

14) This is another difficult one to answer. As a creator in a position of privilege, I could not tell these stories without appropriating them. That’s not for me to do, so largely I again fall back on trying to support and promoting those that do. The big thing I can do though is to try and not reinforce the issues that intersectionality deals with. I actively try and diversify characters and concepts, to go against negative stereotypes or expectations.

15) In general I aim to avoid negative ones but they’re not something I think I have actively gone out of my way to subvert.

16) Shape may be a better word here but I do most of my design thinking in bursts during my commute, so I tend a lot towards short notes, scribbled down or stuck into OneNote. That’s reflected in my material – short adventure starters rather than long texts

17) Again, I don’t have a good answer for this because, for the most part, I’ve been in a position of privilege where I haven’t had to consciously define my identity.

18) Loosely that good needs to triumph over evil/darkness but that’s very much because the adventures and games I’ve made to date tend to follow very typical storytelling conventions. There’s a situation, heroes vanquish it, the day is saved. I want to branch out more in the future. The missions I’m putting together for The Sprawl are a start because they’re ambiguous. Teams may be in conflict with monolithic amoral Corps but they’re rarely heroes, they’re professionals seeking a profit.

19) More catch up after the long weekend and once again a bit of a non-answer in that I don’t know if I have any. I’m still at that point as a creator where I’m figuring out what I enjoy exploring the most.

20) I’ve still no idea if anybody that has downloaded TowerFall, the expanded version of my @200WordRPG entry has actually played it or wants to.

21) Time management, procrastination, dedicating my spare time to just sitting and writing when I have so many other that I could be doing. You know, the usual.

22) Broadly I’m trying to listen and being open to other ideas/perspectives. I’m getting better at trying to boost other voices but still trying to find the balance between supporting and constantly spamming RTs (which I personally dislike when others do)

23) Nothing formal or direct but I feel like indirectly all the podcasts I listen to have been a massive help in driving me to reflect on my gaming and GMing.

24) Scenes. A lot of my adventures originate with a single scene. There’s the saying that ‘everybody has a book in them’ but honestly I don’t think I do. I love setting up scenes and seeing how they play out but I’m terrible at linking everything together. It’s why I write what I call adventure starters/outlines. They’re literally that, the frameworks to set up an adventure with the outlines just having more detail than the starters. How they link up? That’s down to the players & GM. Channel Surfing, my first Demon Hunters adventure outline started off with what if questions for 2 scenes – “What if the zombies started dancing to thriller mid fight” and “What if the PCs met Count von Count as he struggled with his darker self?”

25) Again, bit of a non-answer as I’ve primarily been a solo creator. There are plenty of amazing people on #rpg twitter doing a lot to discuss diversity and inclusivity and companies are starting to actively include consultants. Without having worked with any though I can’t really say who is rad or not. It’s something I’d like to change in the future but that requires the funds to do so, which I don’t have at present.

26) An easy one for once – @happyjacksrpg

27) Mostly Twitter and a couple of specific discords but it’s not something I have put a lot of effort in to date. Until I start regularly releasing material it is difficult to consistently market it.

28) My most valuable tool – my notebook. Seriously, as much as I use onenote for writing up first drafts across various devices I’d be lost without a physical notebook. I scribble down ideas, stats, concepts etc with lots of interlinking and colour coding.

29) It’s difficult to tell whether it is a new trend or down to me widening my awareness but small form games, especially in the zine format seem to be on the up. Licensed settings also seem to be on the up, primarily in the traditional games sphere.

30) If I could change one thing about the industry serious answer – Clear out the bad actors that keep bringing it down. Historically and currently there are too many within it (and in society in general). Lighthearted answer – Reduce the dominance of #DnD, there are so many other games out there and while I understand why D&D is so big I want all those new players to experience and enjoy the diverse range of games that are out there.

Demon Hunters: An Interview… with me!

The Demon Hunters World-bible and script Kickstarter is coming to a close, with a little over 2 days left to reach its goal. The campaign is ~$1000 away from funding at the moment so I wanted to talk a little about why I think you should back it. The below is an edited transcript from a short interview that I did about my involvement with the franchise as a signatory of the shared cinematic license.

• How did you come to the Demon Hunters universe?

I came to Demon Hunters by accident through the original RPG – I was a fan of the Cortex system and when I heard there was a new setting coming out for it I asked my FLGS to order a copy in. I knew virtually nothing about the world, beyond the fact it was supernatural comedy but from the moment I opened it up I was hooked.

• What is it about Demon Hunters that you like the most? Why?

The element that has always drawn me into the world of Demon Hunters is the humour. Demon Hunters took the urban fantasy genre and applied a dry satire to it in the way that only Dead Gentlemen Productions knows how. It’s there in the original movies and by the time the RPG came out it had been honed to perfection and expanded to cover an entire world history. So many of the concepts are absurd when you look at them but the setting puts such a straight face on them that you wonder how they haven’t always been staples of the genre.

• Do you have a favourite memory related to Demon Hunters? If so what is it?

Just one? Thanks to some amazing players over the years I could go on for hours. If I did have to pick then I think it would have to be the first time I ran the adventure that would go on to become Channel Surfing – at the end of the first session one of the players, who was brand new to RPGs turned to me and told me that I had managed to properly unnerve them as they investigated an abandoned apartment – little did any of us know that by the end of the next session she would be embraced by the puppet incarnation of Count Dracula. I can’t think of anywhere else where that chain of events would make sense, let alone be a dramatic high of the campaign.

• What kinds of things do you hope to see come out of the shared cinematic license? Are there stories you might like to tell?

I’m already a signatory of the shared cinematic license and have been putting it to use releasing adventure starters. Right now I’m still working on the remainder of the Slice of Life releases that I pledged to produce as part of that Kickstarter but after that, I have a number of plans. I have multiple Warehouse adventures to adapt to the current canon but the big one I have plans for is an adventure I’m loosely calling Rocket Demons of Antiquity, spanning both the Victorian and Modern eras and utilising an off the books, historical team led by Mina Harker. It’s just a concept and it’ll be a while before it even enters playtesting.

As for what else I would like to see? More, more of everything. The world bible hints at so much that I would love to see people fill in the gaps and expand on what is really going on. Is the Cypher collective evolving into something new and terrifying? What truth lurks beneath the Bermuda Triangle? And most importantly of all why a Yak?

• If you were in the DH universe, what would you be? (hunter, creature, etc)

Well, I’m a research scientist so a member of Mwhahaha would make sense but let’s be realistic – like most of us, I’d be that normal that stumbles into something that they can’t make sense off and either runs off screaming or gets eaten just as the team show up to save the day.

• What do you want to see happen in Demon Hunters 3?

I think everybody wants to know what happened to Gabriel and Chris. Are they in Hell? Are they somewhere in between? Also just what has happened to the Brotherhood during all this time? Is there a new Alpha One? Did Ichabod’s treachery get revealed or did the events of Dead Camper Lake get quietly swept under the rug?

• Why should backers care about Demon Hunters? What is it that makes it cool or fun? In other words, what is the Demon Hunters universe at its best, or what does it do best? What stories does it tell the best?

It’s Dead Gentlemen Productions at their best. Demon Hunters was where it all started and you can see how those first two movies have influenced the approaches of everything that came later. That was 20 years ago and the team have gone from students working it out as they go along to producing professional level material that is pushing the boundaries of small, independently produced productions. Just imagine what they could do with the series if they put all that experience behind it? The Slice of Life mini-series gave us a taste but a full movie could push it so much further.

So go take a look at the Kickstarter and if you can back it. Together we can renew Demon Hunters.

Monthly OneShot Reflections: Demon Hunters A Comedy of Terrors

Disclaimer: Regular readers of this blog will know that I am a massive fan of the Demon Hunters setting, to the extent that I have self-published multiple adventure starters for the game. I was also a high-level backer of the original Kickstarter, to the extent that I was able to submit a chapter for inclusion in the upcoming Players Guide. Take that into consideration when reading this reflection as a review of the game.

A World of Dimness

With its close proximity to Halloween my choice for November’s Monthly OneShot was easy – Demon Hunters: A Comedy of Terrors. Built on a drift of Fate Core, the setting is one of supernatural comedy.

In a world where gods, wizards, vampires and werewolves are real the forces of good fight have come together to fight as one, as the Brotherhood of the Celestial Torch. Demon Hunters. They fight and die in the shadows, so the world can go on, drinking overpriced mocha-frappe-chino lattes in the light. Blissfully unaware that the world ended last Tuesday, only to be dragged kicking and screaming back into existence by a well-placed subclause snuck into a demonic contract.

It’s a dangerous job, but somebody has to do it.

Just not you. To new Agents go the thankless tasks. Negotiating with sentient forests, chasing goblins off of the 18th tee, delivering pizza, locating missing pets.

The OneShot: Missionary Opposition

Called in to investigate an unusually large number of missing pets in a small village the team got to work, enthusiastically knocking on doors under the cover of being missionaries from an obscure church. Their blunt approach of simply holding a bible up and intoning the word ‘God…’ didn’t go down so well. Until they knocked on number 37, whose occupant was all too relieved to have somebody, anybody, to talk to.

It didn’t take long to discover that there had been strange comings and goings during the night, or that people were gathering in the abandoned house at the end of the street. While Gabriel, Jim and Bijoux took off to investigate that Albrecht followed his nose, literally, as he tracked down a scent he knew all too well. Fresh blood, originating from the boot of a nearby car. Inside, another pet and files from the local veterinary clinic.

Over at the abandoned house, the rest of the Chapter came face to face with what they had been seeking, a skinless creature the size of a bear, layer upon layer of muscle twitching in anticipation. It proved no match for the Chapter and was quickly dispatched back to whatever hell it had been pulled from. A quick investigation of the house discovered its gruesome origins, the decaying body of a man inside a ritual circle. While his wallet had been emptied the Agents found a scrunched up business card inside his pocket. Carl Jackson, Personal Injury Attorney. The address was local, and as it turned out only doors away from the Veterinary Clinic.

A bungled attempt to break into the attorney’s office triggered a silent alarm, drawing the attention of a trio of… irate middle-aged businessmen who were quickly dealt with. Drawing from Bijoux’s knowledge of human anatomy the Chapter concocted a basic, yet surprisingly effective, truth serum to conduct a quick interrogation. They learned that the trio were following orders from a woman going by the names of Lilith and Jackie. Bitter at some perceived slight by the local community she had gathered a small group to get revenge… by summoning the creature and letting it loose during the upcoming Summer Fayre. A subsequent investigation of the veterinary clinic revealed Jackie to be not only a member of staff but the wife of the deceased Carl Jackson.

The Chapter hightailed it to Lillith’s home, where they discovered that she had already begun the ritual to once again summon the beast. Quick thinking by Bijoux put an end to that, as she hit redial on the mobile taken from the man they had interrogated. The ritual chants of “Ix’Kalla, Ix’Kalla, Ix’Kalla” that had been calling out were disrupted by a familiar sound – the Nokia ringtone.

Then came the screaming.

With the cultists being devoured by the beast the Chapter leapt into the fray, knowing that they had to banish the abomination before it broke free of the ritual circle. Albrecht dived after Lillith and the tome she was carrying, while RM, Jim and Bijoux worked to contain the creature. Securing the Tome of Ix’Kalla from Lillith the Chapter used its forbidden knowledge to banish the beast from the mortal plane.

Having saved this little corner of the world the Chapter started the long walk back to base… they’d missed their ride and their calls to HQ kept going to voicemail.

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The Roundup: Riotous Fun

I love Demon Hunters. I love both the setting and the system and once again this session reminded me why. In contrast to many of my previous adventures the game didn’t descend towards slapstick, but the absurdity of the setting shone through. From the opening where the players had to improvise at being missionaries but didn’t know which church they belonged to right through to disrupting a ritual summoning by ringing the villains mobile at a critical moment. Possibly the only downside was that one player took a little bit longer than the others to grasp the humorous potential and thus spent the first half of the game worrying about the police arriving. With a sillier adventure (such as Channel Surfing) this wouldn’t have been an issue but it did highlight the difficulty of running adventures that rely on a dry sense of humour.

From a mechanical perspective, the players picked up the system quickly, though I do feel like a cheat sheet would have helped with some of the finer details of invoking aspects. Demon dice were particularly fun, the players were nervous about using them, which helped add to the tension of the rolls and more than one action failed because they were paranoid about what I might do with the dice if I added them to my pool. I’m still not sure that I put them to proper use, I struggle in particular with the concept of needing to spend them to have events happen (represented mechanically by adding aspects) rather than just declaring that it happens.

While preparing the adventure I took some time to reread the core rules. The book is a fun and relatively easy read but there are a few points where the text is confusing or even contradicts other parts of the book. For example, the rules on recovering conditions state at one point that succeeding with style on the action automatically clears a condition while a different page states that it clears two conditions. There are also a couple of sections that would benefit from some additional examples. The prime candidates are spells and badness tables. I appreciate why the writers didn’t want to include lists of spells or tables but personally, I would have really benefitted from additional guidance and examples.

Overall though? The book is great and full of detail. There’s a detailed setting including a secret history of the world, plenty of artwork and a full range of sample NPCs to drop into your game. The best part of the book may be the mission generator, which breaks the process down into a series of simple steps. A basic mission profile can be generated in as little as five minutes and if you get stuck? Just roll on one of the random tables for inspiration. Want even more guidance? Then pick up the first supplement for the game, Demon Hunting Manual A771, which takes a deep dive into mission planning and organisation.

The Demon Hunters RPG can be purchased from DriveThruRPG via:
Demon Hunters: A Comedy of Terrors (PDF and Print on Demand)
Demon Hunting Manual A771 (PDF and Print on Demand)

While my adventure outlines for the game are available as Pay What You Want downloads from LunarShadow Designs on DriveThruRPG