Following on from the overview post of what’s on the shelves of my new bookcase I want to focus in on a few individual groups of books. First up – Cortex RPG.
While Torg may have been the system that got me into tabletop RPGs it was Cortex that became the first I picked up independently, without being introduced to it by somebody else. The game that drew me in was the original Serenity system. As a massive fan of the show (which is unfortunately tainted by the actions of Joss Whedon) I picked it up as soon as I was aware of its existence and with the giddy excitement of being a brand new GM proceeded to run an absolute clusterfuck of a session. We had PCs turning on one another, half drunk players falling asleep (we were playing during a uni society overnight event following a club night) and a ‘quick’ combat that stretched into multiple hours.
Somehow that failed to put me off GMing and after gaining a little more experience we returned to the system to play the most cursed campaign I’ve ever run. Thankfully the curse here was scheduling rather than the game. Every session we did manage was great, they were just few and far between. The more we played the more I fell in love with the mechanics and naturally, being a collector, I picked up subsequent releases. One of those was Demon Hunters, a game which I have talked about at length on this blog.
As the system progressed from Classic to Plus I continued to pick up the books, focusing on the core rulebooks rather than supplements. Of the core rulebooks the only one I’m missing is Supernatural. I’m really excited about the new Prime edition and the opportunities it offers and have vague ideas of putting together a game using it. Right now I’m waiting to see what the rules for the Creators Workshop look like but if all goes to plan at least one game in my Dyson Eclipse setting will make use of the system. As far as the future of the line goes I’ve no plans to pick up the currently announced games, primarily as I’ve never been big on fantasy settings. I have mixed feelings about the focus on the digital platform, but what I’ve seen so far looks promising and it’ll be interesting to see if they can finally fulfil the potential of digital approaches.
I’m not sure I can fully articulate why the system resonates with me so much. That it was the first game I found on my own is certainly a part of it but I think the interlocking of traditional and narrative approaches is also a significant factor. It achieves a lot of what I enjoy about Fate but in a way that is slightly more intuitive and feels less meta. It’s also remarkably easy to teach, people latch onto the ‘when this applies grab the associated die’ and as a result I’ve run it repeatedly at numerous conventions.
Combining it all together I expect Cortex, in one form or another, is going to be one of those forever systems for me and I’m glad to see that it’s in good hands going forward.
While I may not have gamed as much as I’d have liked this year it has turned into a bumper year for releases with 9 new products hitting the market. Coming off of the successful launch of The Synth Convergence at the very end of 2019 I had a long list of ideas to work on but surprisingly some of the most enjoyable work I did this year was on projects I didn’t see coming at the start of the year.
I started the year with the final Demon Hunters: Slice of Life inspired adventure starter. Slice of Life: A Demonic Fiasco (also available on itch.io) took a very different approach from the prior entries in the collection, not least because it was written for use with Fiasco rather than Demon Hunters: A Comedy of Terrors. While it took longer than I’d hoped to finished of it came together and made for an extremely fun playset. This was also my first try published material prepared with Affinity Publisher and the difference in what I was able to produce compared to Scribus was striking. This was probably most notable from the production side, elements that took me a long time to prepare previously were far simpler to lay out with the new software. One of my aims for 2021 is to compile all of the Slice of Life material together with a new, updated layout based on the one that I developed for this.
I had always envisaged The Synth Convergence (also available on itch.io) as my only real release for The Sprawl but it seems that I wasn’t finished with cyberpunk dystopias. Building on material I had explored for the original trilogy I released two Mission Packets with condensed outlines for a series of missions. The first, Mission Packet 1: N.E.O. (also available on itch.io) explored the realm of Near Earth Orbit while the second, Mission Packet 2: Subversion (also available on itch.io) turned the focus towards undermining the Corporations with the inclusion of new faction rules and a custom move. Having already laid the groundwork with The Synth Convergence these two releases were far easier to construct but just as enjoyable to write. I don’t know when I’ll next return to The Sprawl but it’s definitely a game that will stay on my radar should inspiration strike again in the future.
Even that wasn’t enough to quench my interest in cyberpunk. One of the first Kickstarters that I ever backed was for Technoir, a game of hard-boiled roleplaying that sadly never got the level of recognition or support that it deserved. It’s a great take on the genre, focusing on investigations and the back and forth story beats of noir novels. Having reread it during a week off I set myself the challenge of reworking elements from my Sprawl material into a Transmission – the format the game uses for adventures. Unlike a traditional adventure rely on the group weaving together plot threads by connecting nodes from a series of themed tables. An investigation that starts with an anonymous shipping container and a local celebrity overdosing at an exclusive nightclub may end up revealing Corporate corruption fuelled by an esoteric religious order. All built organically during play.
The end result of this reimagining is The Synth Divergence: Liverpool Corporate Authority (also available on itch.io). While it draws from the same material the reversed focus, from structured mercenary missions to emergent investigations drives a radically different tone and style of play. Having put in an significant amount of work on the layout front I’ll definitely be returning to Technoir in the future, if only to recoup some of the time investment!
2020 was also the year where I experimented with formats, starting with To Travel far from Home and The Stars will Carry you Home, two business card microgames that came together in a burst of creativity while I was watching a rocket launch. I knew that I wanted to round them off with a third game but it wasn’t until the Bookmark Game Jam that I worked out how to approach it, which included updated versions of the first two to form a trilogy of journal writing games that include messages being passed back and forth through the vast expanse that is deep space. They’re not perfect but the constraints of the formats made for an intriguing challenge and I’ll definitely be looking to produce further microgames in the future.
My other game jam submission this year was What’s so [redacted] about [redacted]? (also on drivethruRPG) as part of the What is so cool about Jam. Based on What’s so Cool about Outer Space I used this opportunity to rework the psychic spies theme of Project Cassandra into the WSCA framework. It’s a fun little game and served as a good exercise in adapting ideas to a new rules set. I’d like to expand on it at some point in the future (maybe the ‘Declassified edition’) but right now my focus is very much on its progenitor, Project Cassandra.
2020 was the year where I finally started making proper progress on the game. I released an updated Playtest Packet, containing the core rules, introductory mission and full layout test. The first draft of the current version is nearing completion and I’m gearing up for kickstarting the game as part of ZineQuest 3 in February 2021. In preparation for that I’ve been doing a lot of researching into costing everything out. I’m aiming to keep the total as low as possible while still ensuring that it breaks even. I’m not expecting to make any real money on this, that’s not why I’m doing it and realistically if I wanted to pay myself a fair rate it would never fund. Of course the Brexit shenanigans means I’m going to be tweaking the budget throughout January as new rules come into force and shipping prices are updated. My aim is to launch at the end of the window – Tuesday 23rd for a 2 week span and a goal in the £350-500 range. Expect to hear more about it throughout January and February.
After partaking in a Demon Hunters roundtable discussion last month (or was it the month before? Time is weird right now) one of the points that I’ve been pondering is how to model transformations more deeply in the system. Part of the complexity is that transformation covers a wide range of possibilities. From an at-will shapeshifter like DS9s Odo to a traditional, only at the full moon werewolf.
Rather than try and cover all of the options in a single post (or with a single rule) I’ve focused initially on what one of the attendees termed the Pressure Cooker, a transformation type where you have to build up a meter before you can transform into a powerful but focused alternate form. The Hulk would be a clear example, with Bruce Banner having a Rage track that must fill to a certain point before he can transform into the Hulk. Once transformed his ability to do anything more than smash things is severely curtailed.
I had initially intended to present these rules with an associated, rotating character sheet but that is taking longer to put together than I had anticipated (I decided to use it as a challenge to learn how to use Affinity Designer) so instead here is the current rules draft:
When you take harm you may redirect up to 5 hits to your Rage track – tick off 1 box per hit. If the track crosses the first boundary marker you may transform with a successful roll of Forceful + Fringe (werecreature), difficulty 10. If it crosses the secondary boundary marker you transform automatically and against your will.
After transforming rotate your character sheet 180 degrees.
While transformed you may only take actions actions that align with your reduced Approach + Discipline list. All other rolls are at 2d4 or impossible. While transformed you have 3 approaches rated at d10, d8 and d8 and 2 disciplines rated at d10 and d8. You may raise 2 of these by +d6 to represent the supernatural enhancements of your alternate form.
While in your Rage form you clear 2 boxes per turn (DM discretion out of combat). You may extend your rage by passing Demon Dice to the DM – tick off 1 rage box per die, up to a maximum of 3 per turn. Allies and antagonists may extend/shorten your Rage by invoking relative aspects – for each Faith/Demon die spent fill or clear a Rage box. Example aspects which could be invoked may include Scathing insult or Tranquiliser serum.
You may attempt to return to human form only after your Rage drops below the willing transformation boundary. Roll Forceful + Fringe from your human form, with a transformation difficulty equal to the number of filled Rage boxes. If the number of filled Rage boxes ever drops to 0 you automatically transform back.
Gods. Demons. Magic. The supernatural. It’s all real and the only thing that stands between it and the end of the world is the Brotherhood of the Celestial Torch. That and paperwork, because do you know how difficult it is to get a permit for the end of the world? #@&%ing difficult and more than one apocalypse has been averted because the resurrected avatar of Death failed to file the forms in triplicate before commencing their rampage.
So while the lawyers file another round of injunctions against infernal interference we need you! We need you out there on the front line, protecting the mortal realm from more mundane evils. Horny teenage werewolves, vampires with questionable personal hygiene, lactomancers. Jims.
Fight the good fight. Who knows, you might even survive the day.
Slice of Life: A Demonic Fiasco is a playset for the Fiasco RPG inspired by the Demon Hunters: Slice of Life episode Clean Up Crew. This playset requires a copy of the Fiasco RPG by Bully Pulpit Games. Knowledge of the Demon Hunters franchise by Dead Gentlemen Productions is recommended.
Slice of Life: A Demonic Fiasco is available now as a Pay What You Want download from Itch.io or DriveThruRPG (link includes the LunarShadow Designs affiliate ID).
Getting into RPG publishing has involved quite a steep learning curve – from the basics of how to write a game (you just write a game) through to the intricacies of publishing that final product. Taking the dive right in approach I decided early on that I wanted to aim for a better layout than I could reasonably achieve with just a text document so I started to teach myself. Thanks to training in how to format academic posters I already had an understanding of the basics but dug deeper into the theory, guided by the The Non‑Designer’s Design Book.
Simultaneously I also dived into the software side in the form of Scribus, a free and open source desktop publishing program. While not as powerful or as intuitive (or as functional) as InDesign as a newbie doing this as a hobby it provided everything I needed and more. The difference between Channel Surfing, my first release using Scribus through to The Synth Convergence are a testament to the value of incremental improvements.
Last month though I made the switch from Scribus to Affinity Publisher, a vastly more powerful program and decided to go back to basics from the get go – everything from templates and style guides to page organisation and image assets. The difference was, once again, rather immediate even though I had yet to add anything beyond placeholder content.
This week though, after spending a number of hours just on setup and planning I made a rather hard decision. To start again. Why? Not because the template wasn’t working or because I’d abandoned the project but because of the slim possibility that I might want to submit these files for Print on Demand at some point in the future. It’s not the only thing I’ve thrown out this week – I’ve restarted a Sprawl mission draft three times because it wasn’t working. It’s only a small amount of text but it simply wasn’t working.
That willingness to throw material away, or even admit something wasn’t working has been a hard lesson to learn. A little over month into 2020 and happily going backwards. It’s not the position I’d planned to be in at this point but hopefully the extra work will pay off in the long run.
After a rush of activity at the end of 2019 I’ve started the year a little more sedately while I work out what I want to focus on. Right now that has involved a significant amount of jumping between ideas, making a little progress and then moving to the next one. I’ve completed a draft of The Geller Protocol, the first of my Sprawl mission packets (using a minimal one page format) and made headway with Say Aaargh, an expanded version of the very first Demon Hunters adventure I ever ran. Progress on Clean-Up Crew continues to evade me – the Fiasco format is harder to get my head around than I ever imagined but I would really like to get it completed so I can wrap up the Slice of Life material.
In typical fashion it is The Dyson Eclipse where my brain is firing on all cylinders. It probably helps here that I’m still at the ideas stage, so I can just jot down options and possibilities without needing to work them into a cohesive whole. What I’m still missing though is that central conceit.
What is the core focus of the game, what do the characters do.
Until I can get that solidified any real progress is going to be at a glacial pace as I can’t lock in mechanics without that aspect. So for now I’m researching – despite being a massive sci-fi fan my collection of sci-fi RPGs is relatively small. I’ve picked a few core systems to go over, to see how they work through the problem and what options they present for gameplay beyond the typical scoundrels in space.
The final thing I’ve been working on is learning to use Affinity Publisher after buying a new desktop computer for at home. That has been a lot of fun and I’ve been going back to basics as I get to grips with it. So far, so good and I think the fact that I have a much better appreciation of layout concepts than when I first opened up Scribus has been a massive help. I’ve started to put together a series of layout templates for Demon Hunters as once Clean-Up Crew is out I’d like to do a complete revamp of my layout. There isn’t anything explicitly wrong with my existing format but it could definitely be a lot better. The alternate badness table incorporated a number of new elements and going forward I’d like to have a template that would be useable for both PDF and print formats. Yes, that’s right. Print. DrivethruRPG offer print on demand options so I think it is worth exploring. It would be great if some day in the future I could offer material at a convention and this is one of the options that would facilitate that.
After saying that I’d started off sedately putting this together actually makes me realise that I am already making progress on projects even if it isn’t automatically apparent.
Alongside actually playing games one of my aims for this year was to step up my efforts as a publisher. It sounds weird to be calling myself a publisher but it is true. I’m a small scale, indie, party of one publisher but still a publisher.
Going into 2019 I had multiple projects on my radar. First off was completing the release of the Demon Hunters Slice of Life mission starters. It took me until July to release Trick of the Light while I only released Talentless Hacks this month, right before the end of the year. With those two starters out in the wild I have one left to complete – Clean-Up Crew, which I thought would be simpler because I had decided to turn that into a Fiasco playset, which is essentially just a collection of tables.
Well it turns out that writing 144 entries that mesh together into a cohesive and compelling whole is harder than it looks so that has sort of stalled for now. Before I push on with it I to spend a bit more time reading through existing playsets, as clearly there is an art to writing them.
Once the Slice of Life releases are complete I can focus on some of the other adventure drafts I have for Demon Hunters. I’ve got a number that are based on old adventures I ran with the original edition of the game, plus I am hoping to run a campaign of it during 2020 to playtest some new ideas. The big one there is Rocket Demons of Antiquity, my dual modern/Victorian adventure featuring Mina Harker and her team. I doubt I’ll write that up by the end of the year but it would be good to get all the bits into place for it.
My second major focus was Ghosts of Iron, a stretch goal commission piece for the Crystal Heart kickstarter. Writing that was a really valuable experience and one that I learned a lot from. First off was designing an adventure that would fit the world. My pitch had originally been inspired by a stock image, drawn by J. E. Shields.
From there I had to craft an adventure that would fit with the Crystal Heart setting, showcase both setting and system and then fit it all into a limited word count using the established ‘One Sheet’ format of Savage Worlds. It was a challenge, but an enjoyable one, helped along by the thrill of getting to run playtests in an amazing (and at the time unpublished) world. One of my big takeaways from writing for Crystal Heart was the value of editing, while I was happy with my initial submission the final release is polished in a way that isn’t really possible without the input of a second person. Sadly, as a one man operation hiring an editor for my future projects isn’t really an option but it’s definitely something I will be more aware of going forward.
The final project was The Synth Convergence, a trilogy of missions for The Sprawl RPG that launched right at the end of November. Initially a collaboration with Chris / @HyveMynd I ended up taking it on largely solo after they had to step back from it. By the end the manuscript had grown to over 10,000 words which needed formatting, edited and laid out – primarily during lunch breaks at work.
I’d be lying if I said I wasn’t immensely proud of the final product. It looks great and I really feel like the trilogy came together as a whole that groups will enjoy. This product required learning a lot of new skills, especially in terms of layout and graphic design so I’ve spent large parts of the last year just trying to get to grips with new techniques in Inkscape, Gimp and Scribus. It helped immensely that there was an established mission structure for The Sprawl, as I could focus on the content of the missions rather than how to structure them.
In terms of sales The Synth Convergence has already beat my modest target of 10 sales (currently sitting at 15 direct sales) and (not surprisingly) is also my highest earner to date. I handed out a number of business cards with free download links during Dragonmeet but so far only one of those has been redeemed. I could look at that as a negative, but just having the cards to hand out provided a confidence boost when it came to talking to people. Also they look just awesome.
Alongside these three projects there are a host of others that have yet to reach completion or even get off the ground.
After shelving it for far too long Project Cassandra returned to active development, with two playtests and a series of rule revisions. The last playtest highlighted a big issue that needs to be resolved (what is it with Dragonmeet throwing spanners into the works?) but I already have a plan for dealing with that. The big focus going forward is writing – I’ll probably start from scratch using the existing material as a guide rather than a draft so it will be interesting to see how much changes in the process.
I’d also hoped to dip my toes into the DMs Guild this year, but the ideas I had for that have yet to move past initial notes. Part of the reason for that was burnout – running D&D 5e blunted my interest in developing for it far more than I’ve experienced with any other system. With the Immortals campaign now complete I’m hoping that I can revitalise my interest in those ideas as I think they each have merit, especially Tales from the Campfire.
Finally there’s The Dyson Eclipse, a vague idea for a space opera game using an adaptation of the Faith Corps system that powers Demon Hunters. Right now that project is little more than a collection of scribbled thoughts. I’m going to work on it over the coming year but with no expectation that it will be complete any time soon. The first hurdle is likely to be the biggest – what do you do? I’d rather avoid producing yet another scoundrels in space game, there are enough of those out there already. Similarly I don’t want dungeon crawling in space, which I realised I was leaning towards during my first crack at outlining the game.
So what does the big list for 2020 look like right now?
Dr Ahoudi’s Mutant Menagerie / Say Aaargh
Knights of the Dawn
Eat In or Stake Out
Motion in the Ocean
Rocket Demons of Antiquity
Tales from the Campfire
Untitled Eberron adventure
The Dyson Eclipse
The Sprawl mission starters
7I/2034 V1 incursion for Trophy Dark
Plus a couple of unannounced hacks/adventures where I need to contact a few people first
Hollywood. People go missing all the time, it’s a big place and people don’t tend to announce when they’ve decided to give up the dream and head back home. So when a 3rd rate mystic was apparently possessed live on daytime TV the Brotherhood took notice and your team got the call. Track down the mystic and find out what’s really going on. They’re probably just another run of the mill fraud but if not we need to find the spirits and this group of talentless hacks before whatever they summoned gets loose.
Talentless Hacks is an adventure starter for the Demon Hunters: A Comedy of Terrors RPG by Dead Gentlemen Productions. Inspired by the Demon Hunters Slice of Life bonus episode Feed the Beast this adventure starter provides a framework for DMs to adapt and run an adventure for their home groups.
Within it you will find a mission overview, breakdown of important locations, intel, threats and a collection of NPCs to populate the adventure. With an open ended structure it is up to you and your group to decide how the adventure will unfold
Will the Chapter save the day? Possibly.
Will they be lauded as heroes? Unlikely.
Will the chaos and destruction that follows them be captured on camera and risk exposing the entire Brotherhood? Almost certainly.
Talentless Hacks is available now from drivethruRPG and itch.io as a Pay What You Want release. Paid purchases, feedback or reviews are greatly appreciated and keep me motivated to produce more material.
Disclaimer: Links to driveThruRPG include the LunarShadow Designs affiliate ID. If you chose to purchase anything using these links I will earn a small commission from driveThruRPG at no cost to you.
At the start of November I talked about my issues with the Badness Table in Demon Hunters and how, despite it being a central DM mechanic, I consistently underused it. In that post I included some of the new options that I have started adding to the generic table and after a little bit of work I now have that table written up as a one page release. The document isn’t final and I will likely update it in future when I start a new campaign in the new year. This release also includes a test of a new layout, rotating to a more traditional portrait orientation and incorporating a new background. It still needs some tweaks but for a first draft I think it looks good.
After attending a number of excellent events earlier this year I knew that my final convention of the year had to be something special. That really meant I had only one option, Dragonmeet this past Saturday (November 30th) in London. As I’m no longer based in the South East I went with the there and back again stupidly long day option, taking a 06:45 train down from Liverpool and then rushing off to catch a 18:07 train home again. Was the 16 hour round trip worth it? Absolutely.
The last time I was at Dragonmeet (2015 I think) it had just relocated to its current venue, the Novotel West hotel near Hammersmith. In that time it has grown substantially, with the trade hall now spread over two floors and they have finally (!) replaced the game sign-up process with online booking that limits the sign-up scrum that the convention had become infamous for.
I spent the morning in the trade hall, saying hello to people and browsing the stalls and even conducting an impromptu interview for the Rolistes podcast. After working on the Crystal Heart kickstarter I also finally got the chance to say hello in person to Eran and Aviv from Up to Four Players and I can’t wait to see how that world progresses over the next year. I handed out business cards with free download links to a few people, so hopefully that will help with getting my work seen by a wider audience. (This is something that I find excruciatingly difficult so sorry to anybody that thought I was avoiding a conversation!)
Overall I was really impressed by the range of products on offer and thanks to expanding onto the second floor it never felt too busy (unlike the chaos of Expo). Dragonmeet is built around RPGs and it was good to see that while it has grown there were still dozens of independents mixed in with established small studios and some of the larger publishers such as Modiphius, Cubicle 7 and Pelgrane Press.
I’ve posted a separate loot post but suffice to say I had no problem in spending more than I’d initially planned to and was happily over budget by half eleven. There were a few further products I did consider picking up – Carbon 2185, which looks really nice but from my perspective is a difficult ask given my apprehension towards 5E derivatives. There was also Broken Shield 2.0, a brand new iteration of an interesting dark future-noir setting. Unfortunately I’d bought the original game many years ago and got burned by the clunky, old-school system so was reluctant to jump straight in. I have, however, downloaded the quick-start so will give that a good look through.
Indie Games on the Hour
After playing in Games on Demand at UK Games Expo back in June I volunteered my services to run games in two slots at indie Games on the Hour (iGOTH), organised (primarily) by Josh Fox from Black Armada. I offered two games – Project Cassandra and Demon Hunters, which are probably the only systems I know well enough to comfortably run in under two hours for strangers.
During my first slot I had three players for Project Cassandra and we played the Ich bin ein Berliner scenario that is included in the minimal playtest packet (which will be receiving an update soon). The players seemed to really enjoy themselves and dived in to the game, with one player liberally spending premonitions to the point that they had run out with half an hour still remaining.
From a playtest perspective this session was extremely valuable. On the positive front it demonstrated that with a proper use of difficulties the switch back to using premonitions to re-roll dice that didn’t already add a success wasn’t game breaking. The players still failed an appropriate number of times and didn’t rely on the same small set of skills. It also reinforced my belief that the game is best with three players – that provides both a wide range of skills while ensuring that they are sufficient gaps to allow for challenges to arise naturally.
The session also picked up on two trends that I’ve spotted previously and that I’d now say form a pattern of potential issues. Those centre around powers and pacing. On the powers front they are generally underused and players tend to save them for big scenes. Not an issue but definitely something to take note of, especially during one shots. The pacing is a bigger issue – after reaching Berlin the first thing the players did was head to the site of the coming assassination attempt. Which is a perfectly logical approach but somewhat breaks the tension. I’ve got some ideas on how to go forward and will incorporate them into the next playtest.
By the time of the second slot the interest in iGOTH had seemingly exploded and all of a sudden we were swamped with players. Thankfully an additional GM was able to step up, ensuring that almost everybody got a game (I think a few late comers may have been unable to). At first count I had 11 people express an interest in Demon Hunters! While I’d have loved to accommodate them all that’s just not feasible and in the end I ran for a table of 6, which included two younger players (aged 10 and 7) and their dad plus 3 other adults who all stepped up to help make it a silly, family friendly game. To say it was chaotic would be an understatement and I found myself making numerous on the fly additions to the Missionary Opposition scenario, including a magically reanimated, vampire rabbit (inspired by a memorable scene from Dorkness Rising). I played fast and loose with the rules, knowing it was necessary to keep the kids interested and I hope that didn’t impact too much on the rest of the table. In the end the day was saved, pets were rescued and Albrecht even got to walk away with a big stick. I’m considering the possibility of simplifying the system as a way to offer it in a dedicated child friendly way without losing the flavour but that’s something for future me to think about.
It’s been a few years since I last attended Dragonmeet so it was great to see that in that time it has continued to grow but without sacrificing the welcoming feel it has always had. This isn’t a giant impersonal event like Expo – it still feels like a friendly, small convention despite being perhaps the biggest UK event focused primarily on RPGs. I don’t know the final numbers and didn’t explore the spaces dedicated to organised play or pre-booked games, I would guess in the 2-3000 over the course of the day, but it shows that the hobby is vibrant and alive. It was great to see an improved gender balance and increased visibility of queer creators but there are definitely still gains to be made, especially in drawing in non-white gamers but I also think that is (unfortunately) reflective of the UK RPG scene as a whole.
I’ve already answered the question of whether the excessively long day was worth it, which is a resounding yes. Dragonmeet remains a friendly convention that I will try and attend again next year. As I progress into this little adventure that is publishing I can see it becoming increasingly important for me as an opportunity to catch up with other indie developers. Even if that wasn’t the case the combination of gaming opportunities and chance to interact directly with traders in a relaxed space would make it worth it. In an ideal world I’d be able to make a full day of it rather than rushing off in the early evening but those sort of logistics are an issue for future me, right now I have loot to enjoy.