The Sprawl is built around missions – The Corporations have no shortage of Credits but if you want their money you had better be prepared to do the dirty work. Steal a prototype, extract an assets or trash the market value of a rival – all in a days work for the deniable, and disposable, teams that work outside the system.
Within this Mission Packet you will find three one page job outlines to offer up to your operatives. These three missions have been constructed around the core theme of N.E.O. – Near Earth Orbit.Each one page outline provides background, mission directives and advice on running the mission.
The remaining details? They’re up to you and your operatives.
Mission Packet 1: N.E.O. includes
The Geller Protocol – A liberated AI seeks a route to the stars while its corporate masters will do anything to return it to their private networks, including recruiting a synth bounty hunter to erase any evidence of the leak.
The Shynom Bombardment – Radicals have taken hold of an orbital refinery. Before the Corporations crush the rebellion they need you to ensure an appropriate rival is blamed for the uprising.
The Equatorial Ascension – An ailing King has summoned his successor to the orbital palace but it’s time for the dynasty to enter the modern age. Switch out the Crown Prince with a doppelgänger while they ascend towards the heavens and bring the family into the Corporate fold.
Mission Packet 1: N.E.O. is available now from Itch.io or drivethruRPG and for the duration of the Coronavirus epidemic is available as Pay What You Want download. Like what you see? Then check out The Synth Convergence, a full trilogy of missions for The Sprawl available from Itch.io and drivethruRPG.
Mission Packet 1: N.E.O. requires a copy of The Sprawl RPG, available from drivethruRPG. Links to drivethruRPG include the LunarShadow Designs affiliate ID and may earn me a small commission at no cost to yourself.
Gods. Demons. Magic. The supernatural. It’s all real and the only thing that stands between it and the end of the world is the Brotherhood of the Celestial Torch. That and paperwork, because do you know how difficult it is to get a permit for the end of the world? #@&%ing difficult and more than one apocalypse has been averted because the resurrected avatar of Death failed to file the forms in triplicate before commencing their rampage.
So while the lawyers file another round of injunctions against infernal interference we need you! We need you out there on the front line, protecting the mortal realm from more mundane evils. Horny teenage werewolves, vampires with questionable personal hygiene, lactomancers. Jims.
Fight the good fight. Who knows, you might even survive the day.
Slice of Life: A Demonic Fiasco is a playset for the Fiasco RPG inspired by the Demon Hunters: Slice of Life episode Clean Up Crew. This playset requires a copy of the Fiasco RPG by Bully Pulpit Games. Knowledge of the Demon Hunters franchise by Dead Gentlemen Productions is recommended.
Slice of Life: A Demonic Fiasco is available now as a Pay What You Want download from Itch.io or DriveThruRPG (link includes the LunarShadow Designs affiliate ID).
Getting into RPG publishing has involved quite a steep learning curve – from the basics of how to write a game (you just write a game) through to the intricacies of publishing that final product. Taking the dive right in approach I decided early on that I wanted to aim for a better layout than I could reasonably achieve with just a text document so I started to teach myself. Thanks to training in how to format academic posters I already had an understanding of the basics but dug deeper into the theory, guided by the The Non‑Designer’s Design Book.
Simultaneously I also dived into the software side in the form of Scribus, a free and open source desktop publishing program. While not as powerful or as intuitive (or as functional) as InDesign as a newbie doing this as a hobby it provided everything I needed and more. The difference between Channel Surfing, my first release using Scribus through to The Synth Convergence are a testament to the value of incremental improvements.
Last month though I made the switch from Scribus to Affinity Publisher, a vastly more powerful program and decided to go back to basics from the get go – everything from templates and style guides to page organisation and image assets. The difference was, once again, rather immediate even though I had yet to add anything beyond placeholder content.
This week though, after spending a number of hours just on setup and planning I made a rather hard decision. To start again. Why? Not because the template wasn’t working or because I’d abandoned the project but because of the slim possibility that I might want to submit these files for Print on Demand at some point in the future. It’s not the only thing I’ve thrown out this week – I’ve restarted a Sprawl mission draft three times because it wasn’t working. It’s only a small amount of text but it simply wasn’t working.
That willingness to throw material away, or even admit something wasn’t working has been a hard lesson to learn. A little over month into 2020 and happily going backwards. It’s not the position I’d planned to be in at this point but hopefully the extra work will pay off in the long run.