New release: The Tannhauser Investment, a mission for The Sprawl RPG

Initialising subroutines…
(base) Cereal.K@WJOHM_internal1:/usr/lib/resolvconf$ GaffEm -i rutger.bat -a 256k -t 1.1m
task = get() “/opt/conStruct/envs/cy5/lib/sitepackages/
joblib/pool.cy”, line 147, in get
racquire()
KeyboardInterrupt
KeyboardInter……

Encrypted message incoming
Target: Chenda Phy, CFO Bora Industrial
Regards: Hostile takeover

Specification: Initiate contact with target at secure public location and negotiate transfer of controlling stake in Bora. Phy currently resident at  secure, independent accommodation. Caution advised – significant intrusion countermeasures in place.

RV @ [DECRYPTING]] if interested.

Welcome to the future hackers and runners, mercs and shadows. Welcome to The Synth Convergence, a new trilogy of missions for The Sprawl RPG built around the thematic core of Synthetic Intelligence and the societal fallout that follows their emergence. The Synth Convergence offers teams a chance to push the boundaries of technological progress and answer the question of how far they will go to secure their lucrative Corporate payoffs.

Today we are releasing the first mission, The Tannhauser Investment, as a stand-alone preview while we complete the final editing and layout of the full collection. This asset acquisition contract will require your team to infiltrate a super-luxury hotel operated by a dedicated synthetic personality and secure the biometric signatures of their target. Why? To enact a decidedly hostile takover of a subsidary Corporate asset. All in a days job for a professional, in and out without collatoral damage.

The Synth Convergence reflects a new direction for LunarShadow Designs – It is my first publishing foray into the vibrant space of Powered by the Apocalypse games. It is also my first time working in collaboration with another designer, Chris Stone-Bush (@hyvemynd), who created the outlines for two of the three missions. Between design, writing, editing and layout the process has been one of continual development and I’ve learned numerous lessons that I’ll be putting to good use in the future.

You can download The Tannhauser Investment for free from driveThruRPG or itch.io with the full trilogy scheduled for release in November. This mission requires a copy of The Sprawl RPG by Ardens Ludere.

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The Synth Convergence – Missions for The Sprawl RPG [Coming soon]

Over the past couple of weeks, I have been slowly teasing an ongoing project over on Twitter – The Synth Convergence, a trilogy of missions for The Sprawl RPG.

Current draft of the cover mage

Like Gibson’s original Sprawl novels these stories are thematically rather than narratively connected. For our missions the focal point is Synths – artificial lifeforms that are pushing the boundaries of their programming and gaining sentience in a society that has come to rely on them as cheap, disposable labour. Through the course of the missions the team will have to infiltrate a self-aware luxury hotel, extract a synth DJ seeking to defect to a new Corporation and finally facilitate an act Corporate revenge that will have a lasting impact on the Sprawl.

Working on The Synth Trilogy has been a learning process. It’s my first collaboration with another designer, HyveMynd, who designed and blocked out two of the missions. It has also required that I significantly improve my graphic design skills, a fun challenge I’ve been giving 10-15 minutes to during lunch breaks. I think the results speak for themselves and I’ve learned a lot of lessons that I’ll be applying to future projects.

Working draft of the page layout

The trilogy is nearing completion. I’m in the process of editing the core text while working on the layout documents guided by the official Mission Files supplement. It’s slow going but moving forward and my aim is to have it all completed soon. Until then keep an eye on twitter for more updates.

2018 – Reflecting on the Year

2018 has come and gone. It was quite a year for me, both away from the hobby and at the gaming table. Coming out of 2017 my engagement with the hobby was nearing an all-time low. My actual gaming was limited to a game of Deadlands Noir that was cancelled more often than it was actually run and I was largely limited to keeping my interest alive through online interactions with the community.

After moving to Liverpool in April I decided to make an active effort to re-engage with gaming. This started with a decision to not rant about D&D and how it was the only system being advertised across the multiple gaming cafes in the city. It’s a decision that has served me well, to the point that this year I’ll be running my first campaign of 5th Edition for colleagues at work. I haven’t been this excited about D&D since 4th Edition launched, which I enjoyed from the tactical side but couldn’t really get into on the RP side.

Related to this I made the decision that if the games I wanted to see weren’t being offered then I would run them myself in my ongoing series of Monthly OneShots. They’ve been a moderate success but have suffered from the curse of last-minute player drop out. My aim for these going forward is to widen the breadth of games on offer and to burn through my stack of unplayed games. Ideally, I would like to take one and turn it into a campaign but that’ll have to wait for now as I’m not sure I have the time for two active campaigns.

On a publishing front, 2018 was a mixed year. I made close to zero progress on Project Cassandra and it has now been over a year since my last State of the Conspiracy update. The game isn’t dead, I just need to find the motivation to pull it off of the back burner and get it finished.

I was slightly more successful with releasing material for the Demon Hunters: A Comedy of Terrors RPG. I debuted a Victorian-inspired team, The Undesirables, the first step towards an epic adventure that I have been thinking about for a few years. 2018 also saw the release of Lockdown, the second of my Slice of Life adventure starters. I had hoped to release the remainder of the adventures last year, which clearly didn’t happen but I remain committed to doing so within the first few months of 2019. The release of Lockdown also saw my first few paid sales over on drivethruRPG. My total sales may only amount to < £10 but it was a big step forward as an indie publisher putting together material in my spare time.

Finally, here on my blog, I had what I’m going to class as a successful year. Thirty-eight blog posts pushed the blog to the most views and visitors I’ve ever had in a year. My review of the Savage Worlds GM Screen remains my most popular post. Going into 2019 my aim is to publish more reviews, with a mix of in-depth and quick, single paragraph posts to ensure I get them out promptly. If I can carry the momentum that I built in the latter half of 2018 then 2019 should be a great year in gaming.

Goodbye G+ – Where else you can find me

So it looks like Google+ is finally going the way of the dodo. As a general service it’s been on life support almost since its inception. It never built the user base that would a company like Google would require in order to continue maintaining it, but where it did succeed was with the gaming community. The communities, circles and collections allowed for a level of granularity that was ideal for sharing advice, thoughts and work in progress.

While I was never a heavy poster to G+ I use it frequently as a reader. There are multiple communities I follow, such as those for The Sprawl and Cortex Prime that have been invaluable. What will happen to them now is unknown. Discord, while popular, just doesn’t suit slower, in depth discussion and Facebook is just… Facebook.

Until that question is answered the best places to follow me are:

My blog – http://www.lunarshadow.net (which redirects to WordPress)

Twitter – @whodo_voodoo

I’m whodo on the HappyJacks Podcast forum – happyjacks.proboards.com and discord – happyjacks.org/discord

I’m also whodo on the Zombie Orpheus Entertainment / Dead Gentlemen discord – discord.gg/fhPckP7 and can mostly be found in the Demon Hunters sub-channel.

And as always you can find everything I release on DrivethruRPG

RPGaDay 2018 Round-up

RPGaDay has come has reached its end once again. Having completed it on twitter this year I thought it would be worth collecting my answers together into a single post. So, here they are:

Day 1: The social aspects. I can sit down at a table with strangers and know that there is at least 1 common thread between us that will be the focus for the next few hours. For somebody that finds mixing/socialising difficult having that focus is liberating. Then there’s the social aspect of gaming with friends, again it allows you to be social without the normal pressures. Bad day but don’t want to talk about it? Dive into the game. In a great mood? Dive into the game and make it more enjoyable for all.

Day 2: Honestly I don’t know any more. The Expanse Kickstarter has left me unsure by failing to get me interested in a property that I already enjoy. I wonder when it comes to a new game if it is the sell, whether I need to see some real excitement from the developers

Day 3: Setting and writing are perhaps most important. I need to enjoy picking the game up time and time again outside of the sessions. Rules are second to that, which is odd given my interest in game design. Prime examples: @CorporationRPG has an amazing world and writing I go back to but the rules are a hot mess. Fate Core is the opposite – great system but dry writing meant it wasn’t until Atomic Robo that I really appreciated it.

Day 4: Memorable for all the wrong reasons but during my first Firefly campaign had an annoying, whiny NPC who had been promised berth on the ship by somebody that didn’t own it. The players hated him. I hated him and while he was only present during a single session he made an impact of how not to do it.

Day 5: I’m going to cop out on this one because I’m struggling to think of a good answer. So instead I’ll go with one of the alternate prompts: Most memorable character retirement, which goes to a player in an L5R game I ran last year. It was her first ttRPG, she had no knowledge of the setting and picked the disadvantage that she was a brainwashed Kolat sleeper agent. I explained the likelihood she would die dishonourably.

She went with it.

During the wedding of another PC2 (who was marrying this PC1s true love) there was a murder. The suspect was the Kolat handler, who triggered her programming. She was a shugenja and all hell broke loose before she was ultimately captured. She was ordered to commit jigai to cleanse her family honour. The Scorpion governor gave her a choice – die or fake her death and become a scorpion. She chose the latter, not knowing her loyalty would be enforced by PC3 by addicting her to opioids. In the climactic battle, knowing she was going to die she redirected her final spell to target PC3. He drowned in the middle of the battlefield seconds before she fell to the spectral horde. It was epic and all because a new player went all in with their choices

Day 5: Wait, I want to also answer the original question! Am I allowed an NPC from an AP? If so then most memorable NPC has to be Ueda from @happyjacksrpg first L5R Inukai campaign. The PCs helped him redeem his honour and he spent his life literally repaying their trust.

Day 6: Help to build it. Introduce details at both the high level (NPCs, factions, background) and the low level (scene details). Both encourage buy-in, the first provides depth to the world and potentially grounds the PCs by giving them existing connections. The second gives players buy-in to individual scenes and helps build a consensus mental picture of what is going on. The fantastic @Upto4Players provided a great recent example of the latter with their Crystal Hearts comic:

http://www.uptofourplayers.com/comic/heart-of-stone-page-11/

Finally, they can put some effort into learning the setting background. Some games (such as L5R) have detailed settings and I wish more players would invest just a little time outside of sessions to learn the basics of them.

Day 7: Make it personal and build on day 6. When a player introduces something use it. Put it in the middle of the action and find out what the player will risk to protect it. And if they fail, make the consequences reflect its importance.

Day 8: Make it accessible and diverse. Twitch and APs are a great tool for this and we’re already seeing a boom thanks to it. Now we need to build on the momentum and promote more shows with diverse casts to really show that gaming is for everybody.

Day 9: I don’t know why but anytime a game hits me with the feels it surprises me. It’s not like I don’t expect it to happen but the ability of games to unexpectedly sneak past emotional barriers always gets me and I love that they can do that. Even though I’ve not had a chance to play as many of them as I’d like I love the fact that there are now a broad range of games where that’s the intention, that aim towards that intense emotional experience.

Day 10: I’d like to say that it has made me more confident and outgoing but I’m not sure that’s the case. It has, however, helped me find who I am and provided a constant grounding when times have been tough. I wouldn’t be who I am now without it.

Day 11: Blade Terrell from an early BESM 2e game. Carried a final fantasy type oversized sword but refused to use it unless he felt his opponent was enough of a challenge to be worthy of him drawing it.

Day 12: Easy answer, Doyl my @DG_DemonHunters caffeinomancer who also happens to be my favourite character to play.

Day 13: I was really stat and gear focused when I started with RPGs, a carryover from my time as a wargamer (seriously, 40K 2e allowed each space marine in each squad to have a unique loadout, a bookkeeping nightmare). I slowly realised it wasn’t the stats that I enjoy, it’s the descriptors and options that the gear opened up in the narrative. It’s why I’m a big fan now of descriptive tags as opposed to 10’s of pistols with negibly different range/damage/cost combos

Day 14: I made the mistake of describing offhand an interesting location to a group of @DG_DemonHunters players finishing with ‘and it’s off-limits for reasons you don’t know’ thinking that would be it and we could start the actual adventure. Of course, the players had other ideas and went to explore. I literally screwed up my existing notes, threw them away and called a beer break 5 minutes into the session so I could quickly rejig. I was upfront with them, they had completely thrown me off. Thus we started my first entirely improvised adventure. It was amazing and later ended with a player led near-TPK as the paranoid PC sniper attacked the newly turned PC vampire. Under attack, she gave in to her urges and turned 2 PCs before we faded out.

Day 15: Difficult question. Best example would be a playtest of Project Cassandra @Dragonmeet – I received a lot of critical but valid feedback that at the time was difficult to hear but extremely valuable and caused me to go back and redo the entire skills system.

Day 16: My next scheduled game is a #Firefly one shot using my Niska’s Race scenario. I’m looking to promote more non-D&D games where I play (@sugaranddice in Liverpool) starting with some well-known franchises before I broaden out into smaller indie games.

Day 17: This is easily having my original Demon Hunters adventure Channel Surfing used as the demo scenario at #GenCon this year. It’s available as a PWYW download from here:

Channel Surfing

Day 18: I actually wrote a whole mini-series of blog posts about inspirational artwork which are at: https://lunarshadowrpg.wordpress.com/category/inspirational-artwork-2/ … but in typical fashion haven’t actually ever used any for the basis of a campaign.

Day 19: Nothing that comes to mind. I’m not a big music person and really don’t enjoy music at the table. One of my pet peeves is when GMs bring portable speakers to con games and conveniently forget they’re sharing the space with other tables.

Day 20: Complications on success, such as in Cortex when you roll a 1. Really like the ‘yes and…’ element and way that it can add an unexpected twist, especially when you get the players to narrate it.

Day 21: I’m going to go with something I’ve yet to actually try out – Resource dice from The Black Hack (and spin-offs such as @cthulhuhack). An elegant and simple way of dealing with limited resources that doesn’t require too much bookkeeping.

Day 22: Non-dice system eh? Hell 4 Leather, a great pick up narrative game of supernatural revenge by Prince of Darkness games. The tarot system provides great flavour and its just so much fun to watch characters get hunted down scene by scene. In terms of a non-dice mechanic then the pathways and relationship map of Smallville, such a great way to set up the relationships not only between characters but also the environment by highlighting places of significance from the outset.

Day 23: How long do you have? Seriously, my play again list is almost as long as my yet to play list but to pick just a few: Smallville, Dresden Files, Torg, Demon Hunters, L5R

Day 24: Again I could provide you with a long list of games here, especially given that here in #Liverpool #DnD just seems to swamp everything else. I’d also love to say Project Cassandra but given that’s still not out (one day!) that feels like a cheat.

Recommendation 1 – Demon Hunters: A Comedy of Terrors by @deadgentlemen and @boymonster. An amazing game, with a great setting and my favourite implementation of Fate like rules (I’d place it as somewhere between Fate and Cortex)

Demon Hunters

Recommendation 2 – Remember Tomorrow by @gregorhutton / BoxNinja – A lightweight cyberpunk game focused on the needs and wants of the characters and their desire to escape the bonds that define their lives

RTfco250

Recommendation 3 – Another @boymonster game, Smallville RPG. The Drama iteration of Cortex Plus didn’t get the recognition that I feel it deserved and I’d love to see some non-supers uses of it, its perfect for hospital dramas or over the top soap opera.

Day 25: Part of me want to hates that this is my answer but #Dnd 5e. My gaming has been rather sparse over the last year and it’s only through the fact that D&D is having such a surge in popularity that I’ve been able to game at all.

Day 26: Is a regular non #DnD game aiming too low? Because I’d be happy with that. Aiming higher? Publish Project Cassandra and more Demon Hunters material plus attend some conventions.

Day 27: There’s only one AP I regularly listen to: @happyjacksrpg though I limit myself to 1 game at a time (currently the #L5R Inukai Saga). Seriously don’t know how they manage to fit so many games in! #rpg

Day 28: This is another question where I could reel off a long list so I’m going to cheat a little by saying the members of GUGS during my time there.

Day 29: Again too long a list, the vast majority of my close friends since finishing school I’ve met through gaming of one sort or another. Hell, my twitter list is almost exclusively made up of gaming people which is probably why I post here far more than on FB. I flew to the other side of the world to attend @StrategiconRPG in 2015 with people I’d only ever interacted with online. Absolutely amazing experience, forget GenCon, that was the best 4 days in gaming for me and I’d do it again if I could afford to. And when I got married earlier this year many of the attendees were friends I’ve made through gaming, including my best man @emzyesque who I’d have never met without this crazy hobby of adults playing make-believe.

Day 30: I mostly GM so in terms of NPCs – that they’re often the weakest part of my games in terms of characterisation. Something I’ve been working on since the start. In terms of PCs – Often my characters are very reliant upon the mood of the table around me. For example Doyl, my DH caffeinomancer, really needs an upbeat group for me to play him as the painfully cheerful character he is meant to be.

Day 31: Why do I participate? Like podcasts it keeps me engaged with the hobby on a day to day basis, which is important to me given how much my actual gaming time has varied over the last few years.

New Release: Lockdown Adventure Starter for Demon Hunters: A Comedy of Terrors

With the recent release of Demon Hunters: Slice of Life to the general public it seemed about time to push forward with my personal pledge towards the kickstarter – releasing a series of Adventure Starters inspired by each of the episodes. The first of these was for the Missionary Opposition preview episode, centred around missing pets and the evil that might lurk in an ordinary, mundane neighbourhood where petty jealousy only goes so far. For real results only the dark arts will suffice…

For my second release I took inspiration from the episode Happy Anniversary, which follows the Brotherhood’s first succubi agent dealing with the dual pressures of outliving mortal companions and dealing with the prejudices that come with being a demon amongst the hunters.

That adventure starter is Lockdown, which is now available for download from drivethruRPG. A Brotherhood output has gone quiet, the last message cut off midstream – Lockdown protocols enacted, self-destruct systems armed.

Is just another glitch in the Cipher collective? Is there an impending apocalypse? The only way to know for certain is to send in a team. Your team…

Download Lockdown for free from drivethruRPG

Demon Hunters: Slice of Life launches

Demon Hunters: Slice of Life is an anthology web series from Dead Gentlemen Productions that funded on Kickstarter last year. It explores the everyday lives of characters within the wider setting, from the eternal duo of Gabriel and Silent Jim to new faces such as Wen, the first succubus to work for the Brotherhood. Alongside each episode comes the ‘Be Vigilant…’ and ‘Ask Sally’ shorts which respectively delve into potential threats to budding hunters and Anti-Tank Sally’s patience.

The series starts with Missionary Opposition with a rolling release of episodes over the coming weeks. As of publication 5 episodes have been released with more to come and as a Kickstarter Backer who has had advanced access, I can promise that the best of the series is still to come.

As an added bonus for fans of the associated RPG Demon Hunters: A Comedy of Terrors I have pledged to release adventure starters inspired by each of the main episodes. You can find Missionary Opposition on drivethruRPG while Lockdown, inspired by an as yet unreleased episode is currently being edited before I start on the layout. And if that wasn’t enough for you the Demon Hunting Manual A771: An Impractical Guide to Mission Planning has also just launched, providing further advice on creating missions and adventures to challenge Chapters from the heights of the Alphas all the way down to the lowly Omegas.