Dragonmeet Retrospective Part 3: The Day

This is a multi-part retrospective and you can find the full series via these links: Part 1, Part 2, Part 3, Part 4

I’ve already spent many words talking about my stand and how much money I made but what about the important question, what was the convention itself like?

Fucking amazing. Exhausting, but amazing.

I’m not going to give an hour-by-hour run down here but want to focus on a few things. First up, it felt busy almost all day but never overwhelmingly so. This is one of the things I’ve always loved about Dragonmeet, the space always feels appropriate for the number of visitors. As I noted in my Tabletop Gaming Live convention report there’s a fine line at which an event feels alive and vibrant. Tabletop Gaming Live never quite got over that line while Expo, despite the massive amount of space, typically goes too far past it into crowded and unwelcoming. Dragonmeet gets it right so it will be interesting to see what happens if, as rumours suggest, it moves to the Excel next year.

It was busy enough that, with two exceptions, there was a constant flow of people wandering the trade hall and while many of those people stopped at the stand it was never overwhelming. Those two exceptions were around 2:30-3:30pm and after 5pm. I think the first was due to a mixture of people attending afternoon games and having already done loops of the halls by then. This was the longest period in the day where I went without a sale, ~70 minutes in all. The second quiet period can be easily explained by it being the final hour of trading and people heading off. Despite it being quiet I still made 4 sales as those that were still around were generally there for last-minute shopping.

If you want to take a look at how sales broke down across the day then tada!

Cumulative sales income over time
Sales income per hour

So what’s the takeaway from these? Primarily, that excel makes some ugly graphs and I couldn’t be bothered to create nice ones in R. I mean, look at the x-axis on the first one where I just could not get it to just list things on a 1 hour time scale.

More seriously the takehome is that while I had a fairly regular sales pattern throughout the day (with the exception of that 70 minute gap) over half of my sales (and total income) were during the first 3 hours of the 8 hour trading window. Are the differences statistically significant? Who knows, I can’t be bothered to check. But it tally’s with my perception of the morning being busier and then tailing off as the afternoon progressed.

Those numbers are all useful but really I want to talk about the experience. As I’ve said, it was amazing and exhausting. First up, a big thank you to everyone that came by specifically and said hello. Lots of faces I knew and far more that I didn’t but have interacted with on Twitter or discord. I even had people whose only prior interaction was playing in my games previously make a point of stopping by. As a designer with limited online reach, these interactions make it worth it. Knowing that people have been playing and enjoying my games was a massive ego boost that kept me going throughout the day.

I also had a stream of people who had heard about Numb3r Stations and were there to pick up a print copy. The game was by far my best seller of the day (27 copies) which I think can be attributed to a trio of factors. One, it’s a brand new game so even people who had supported earlier projects didn’t own it in print. Two, it was cheap at £5 (as it’s an alpha) which puts it into the impulse buy category. Three, Albi and I had both been promoting it fairly heavily online. Taken together it highlights the importance of having a new product available at the booth, even if it’s just a small one and of talking about it in the run-up to the convention. This year I’d focused on promoting Numb3r Stations and just the fact that I’d be attending as a trader, next time I’ll do more to highlight individual products and build some interest in them.

One thing I hadn’t expected (but should have) was how polarising Signal to Noise would be. Many people, on hearing the premise, declared that the game was too emotional or touched on things they weren’t quite ready to think about after the last few years. As an outlet the game really was my “lockdown baby” and I poured a lot of my own emotions into it concerning isolation, distance and losing contact with people. It was cathartic but it seems some people just aren’t far enough from those early days of the pandemic to want to revisit that yet.

Of course, it goes both ways. Dragonmeet attracts many gamers who do want to explore those sorts of feelings and it sold well throughout the day (plus has done well on the IPR booth at Big Bad Con and PaxU). I really hope that the people who bought it enjoy it and want to continue exploring the Dyson Eclipse with me.

I’ve said that the convention was exhausting and it was. I made the decision that I was going to avoid sitting down as much as possible and energised by the event took that a little too literally. From 10am to 6pm I didn’t sit down at all, something I’m not used to in my day job. Surprisingly, my legs weren’t too bad the next day. 

Why did I make this ridiculous decision? Because, in my opinion, a stand with a trader who is sitting isn’t as engaging. I wanted to be in a position where I was actively encouraging people to check out my games rather than relying on passive traffic approaching me. That meant being at eye level, handing out flyers and talking to people as they passed by. I appreciate not everyone can physically manage that but it’s a decision that I believe helped bring more trade to the stall.

Running the stall by myself proved to be easier than I had expected. It meant things like my approach and sales pitch were consistent throughout the day and as all but one of the games were mine I know them inside out and can talk about all of them in depth. That said, there were definitely a number of times when having two people would have been useful, primarily when someone approached the stall while I was already talking to someone. I’m hoping that next year I’ll be able to share my stand with someone else so we can split the work a little. A second person will mean a wider range of games on offer, which should draw more people in but will also mean needing to rethink the layout of the stall. Another bonus is that it will allow me to get away from the stand for a little and actually experience the halls.

Not being able to take a walk around the halls is perhaps my biggest regret of attending as a trader. I bought only a couple of items (the One Ring starter set and core book, Coiled Spaece) plus did some zine trades (Lichcraft and Stories to Astonish the World) but that was it. Sure, it saved me a lot of money but getting to talk to people is one of the things I love about Dragonmeet. Now that I’m attending as a trader it becomes even more important as it’s an opportunity to network and try to build connections for the future.

I did get a chance to catch up with a number of friends on both the Friday and Saturday nights which I greatly enjoyed and is another reason I make a point of attending Dragonmeet over other conventions. Gaming is, at the heart of it, about friends and having previously lived in the South East there are many people that I now only see if we cross paths at the event. That, in and of itself, makes the travel and hotel costs worth it.

Con Report: Tabletop Gaming Live 2022

The last couple of years have, understandably, been hard on the convention scene. While many shifted to an online format that continued to bring people together for seminars and virtual games the trader hall proved nearly impossible to replicate. People tried but ultimately a discord channel will never be able to replace browsing a row of stalls.

With face-to-face events returning here in the UK last weekend I attended Tabletop Gaming Live for the first time. Organised by Tabletop Gaming Magazine it had moved from its previous home in the Alexandra Palace in London to the Victoria Warehouse in Manchester.

So how was it?

Well to answer that question I need to go over a rather long list of caveats, which should immediately give you an idea of where this might be going.

Caveat 1: A dead monarch. The event took place only days before the burial of the Queen, which will have definitely affected attendance.

Caveat 2: Train strikes. I went on Saturday but until the death of the Queen that wouldn’t have been possible as there were meant to be train strikes that day. While I lived close enough that I could rearrange my plans for many it wouldn’t have been an option at short notice.

Caveat 3: New venue. This was the first year that the event had taken place in Manchester and it always takes a while to settle in. I suspect many Londoners will have chosen against attending because it was no longer local and Londoners are loathe to travel outside the M25. I know that’s a massive generalisation but I worked in London long enough to know that it’s also true.

Caveat 4: Pandemic recovery. It’s still ongoing and will have put some people off, especially if they would have had to use public transport to attend.

Caveat 5: Me. I attended the event on my own and what I’ve noticed over the years is that as a lone attendee it’s harder to get attention from demo teams. I get it – most board games need at least two people to do a proper demo but even a quick rundown of the game is appreciated.

So, back to that question of how was it. Honestly? A little underwhelming.

Now before I dive into why I want to focus on the positives. First, the traders – there was a really good selection, spanning small indies to a few (but far from all) of the larger players in the board gaming world. With the size of the event, indie traders were able to shine and get the attention they deserve, rather than being hidden away at the back like can happen at Expo. There were also a pleasant number of stalls selling RPGs, some for the first time and others more established, though again with the focus on indie publishers rather than the big names that can dominate the attention at Expo or Dragonmeet.

In terms of purchases, I was trying to keep to a fairly strict budget. On the RPG front, I picked up Bucket of Bolts from Sealed Library, Regicide from Loot the Room and Kaiju Caltrops from Button Kin Games. Expect to hear more about those in the newsletter. I supplemented those games with a Sci-Fi character concept deck from Artemis Games (which will be very useful for the development of the Dyson Eclipse setting) and a single board game, Trails (part of the Parks series of games). For a smallish event that’s not a bad haul and I could have easily spent more (I did register my interest in a few upcoming Kickstarters after demoing the games).

With all that said why did I call the convention underwhelming? First off it was a lot quieter than I expected, which wasn’t helped by security performing pointless bag checks on the way in. I queued for 45 minutes only for them to check the main compartment, ask me to open my dice bag but then ignore all of the side pockets on my bag. Not a great start. There was a flow of people but the convention never felt busy or alive in the way that you really want, see the photo below which was about as busy as it got. 

It’s a tricky balance for any convention and partially this may be down to my own expectations – the event is organised by Tabletop Gaming Magazine and the promotion for it gives the impression that it will be a big event. Not Expo-sized but definitely a major convention for the UK. It felt like they were aiming too high, too soon rather than growing the event over time which may partially explain the shift out of London this year after reportedly disappointing number pre-covid.

Tied to this was the price – £16 for a day ticket, which is only £2 less than Expo (which is an order of magnitude bigger) charge for a day ticket.

Finally, there was just a lack of things to do. With it being quiet I managed to demo the games I was interested in relatively quickly and then… well that was that. I went round the entirety of the trade hall five or six times and had a good chat with a number of traders. There were only a couple of seminars and no tournaments or clear organised drop-in game spaces unless I somehow missed them. Tables had been set aside for open gaming which is always a plus but as I mentioned in the caveats I was attending alone and those spaces are more suited to groups wanting to play the games they’ve just bought. It made me realise how much I appreciate Games on Demand, where you show up at a set time and there is someone that will try to find you a game to play. I’ve only really done it for RPGs but there’s no reason it couldn’t be run for board games as well.

In the end, while I’d planned on a full day I left earlier than I’d intended and headed for home, glad I’d only bought a one-day ticket. Would I go again next year? I’m not sure. If I could go, play a 2-4 hour RPG and then browse the trade hall I definitely would but I don’t know if the current venue has the space for loads of RPG tables (or organised play board games). Without it, I think I would need a group to go with, one where we could meet up at a set time and settle in to play what we’d bought. It’s a shame as I think having this sort of event outside of London is important for the convention scene and Manchester is a great city to hold it in. I also think the convention has a lot of potential, it just needs to find its feet and be given time to grow.

I’ll wait and see what the future holds but come next year it will be an “if I feel like it” rather than a “must attend” event.

Project Cassandra on Le Repaire de Gulix

As a small indie developer there’s an amazing feeling that comes with seeing my work highlighted by somebody else and over the weekend the French blog Le Repaire de Gulix was kind enough to give the game a shout-out. The post, Coups de soleil sur itch, mentions the game alongside the work of other developers such as Rogue Scroll by Epidiah Ravachol and Our Queen Crumbles by Jason Brown.

New Release: The Synth Convergence

Initialising subroutines… decryption protocols active
(cy2.12) CaseHD@AlphaC
Password: *****************************
Identity confirmed… Welcome back runner

Encrypted message incoming
RouteTrace.ise: Interrupt error 2.5 – dumping log
Message begins:

Welcome to the future hackers and runners, mercs and shadows. Welcome to The Synth Convergence from LunarShadow Designs.

It takes time and money to be a professional which means one thing – jobs. Off the book, spec-ops jobs run by deniable resources that work outside the Corporate system that runs the Sprawl and every other one just like it. The Synth Convergence provides teams with a trilogy of new missions built around synthetic lifeforms. Push the limits of technology with independent, autonomous artificial intelligences that require no sleep, no wages and no rights.

In The Tannhauser Investment (also available as free demo from drivethruRPG and itch.io) your team are brought in to negotiate the tricky process of a hostile Corporate takeover – all while evading the awareness of the synth consciousness built into the super-luxury hotel the target is holed up in.

The Infinitive Extraction takes the team to the beating heart of the entertainment districts as they seek to extract Infinitive Cascade, the hottest DJ on the circuits from an exploitative contract. But do your employers want them for their musical talents or the military codebase at the core of their personality matrix?

Finally in The Vanda-Weiss Demolition the past catches up with your operatives as they face off against The Evolved, a radical fringe group dedicated to wiping out synths and returning humanity to the true path before they are toppled by their own creations.

Get in, do the job, get out. It’s never that simple but if it was they wouldn’t have hired professionals like you.

The Synth Convergence is available to purchase now from driveThruRPG or itch.io. The Synth Convergence requires a copy of The Sprawl RPG to play. Purchase it from Ardens Ludere on driveThruRPG. Support the creators – buy the game.

Disclaimer: Links to driveThruRPG include the LunarShadow Designs affiliate ID. If you chose to purchase anything using these links I will earn a small commission from driveThruRPG at no cost to you.

New release: The Tannhauser Investment, a mission for The Sprawl RPG

Initialising subroutines…
(base) Cereal.K@WJOHM_internal1:/usr/lib/resolvconf$ GaffEm -i rutger.bat -a 256k -t 1.1m
task = get() “/opt/conStruct/envs/cy5/lib/sitepackages/
joblib/pool.cy”, line 147, in get
racquire()
KeyboardInterrupt
KeyboardInter……

Encrypted message incoming
Target: Chenda Phy, CFO Bora Industrial
Regards: Hostile takeover

Specification: Initiate contact with target at secure public location and negotiate transfer of controlling stake in Bora. Phy currently resident at  secure, independent accommodation. Caution advised – significant intrusion countermeasures in place.

RV @ [DECRYPTING]] if interested.

Welcome to the future hackers and runners, mercs and shadows. Welcome to The Synth Convergence, a new trilogy of missions for The Sprawl RPG built around the thematic core of Synthetic Intelligence and the societal fallout that follows their emergence. The Synth Convergence offers teams a chance to push the boundaries of technological progress and answer the question of how far they will go to secure their lucrative Corporate payoffs.

Today we are releasing the first mission, The Tannhauser Investment, as a stand-alone preview while we complete the final editing and layout of the full collection. This asset acquisition contract will require your team to infiltrate a super-luxury hotel operated by a dedicated synthetic personality and secure the biometric signatures of their target. Why? To enact a decidedly hostile takover of a subsidary Corporate asset. All in a days job for a professional, in and out without collatoral damage.

The Synth Convergence reflects a new direction for LunarShadow Designs – It is my first publishing foray into the vibrant space of Powered by the Apocalypse games. It is also my first time working in collaboration with another designer, Chris Stone-Bush (@hyvemynd), who created the outlines for two of the three missions. Between design, writing, editing and layout the process has been one of continual development and I’ve learned numerous lessons that I’ll be putting to good use in the future.

You can download The Tannhauser Investment for free from driveThruRPG or itch.io with the full trilogy scheduled for release in November. This mission requires a copy of The Sprawl RPG by Ardens Ludere.

Disclaimer: Links to driveThruRPG include the LunarShadow Designs affiliate ID. If you chose to purchase anything using these links I will earn a small commission from driveThruRPG at no cost to you.

Crystal Heart Kickstarter: Now with stretch goal by me!

I’ve posted already about the Crystal Heart Kickstarter and how amazing it is going to be but as of today, it becomes personally awesome. Why? Because I’m going to be writing one of the stretch goals! If the campaign hits £20,500 then I will be writing a one-sheet adventure titled ‘Ghosts of Iron’. The teaser, courtesy of the Kickstarter:

Piracy is nothing new to the Islands, but of late a new name has come to the fore: Arakil, the iron-clad ghost ship that attacks from beneath the waves.

The Kickstarter runs for another week and at the time of writing is sitting at £18,629, well past its funding target of £12,000. Find more details (and back it) via the Kickstarter page or head to Up to Four Players to read the webcomic that showcases the world (and the fantastic art by Aviv that will be throughout the setting book).

Kickstarter Alert: Crystal Heart campaign setting

While I enjoy the system I’ve never been a big backer of Kickstarters for Savage Worlds, even to the extent that I didn’t back the recent campaign for the latest edition of the core rules. Of the many settings only Deadlands and its spin-off Deadlands Noir have really grabbed me. Everything else has gone on my “I might pick it up eventually” list.

Until Crystal Heart.

Developed by Eran and Aviv through their webcomic Up to Four Players, Crystal Heart presents a world in the process of uncovering lost artifacts and knowledge from an advanced Bygone Age. The most powerful of these relics are Crystals, gems of unknown origins that channel unique abilities and powers to the wielder. The catch? The only known method of controlling them requires that the user have their own heart surgically removed and replaced with the Crystal. Only one organisation admits to possessing the skills necessary to do so, Syn. Their Agents are relentless, fearless. Heartless.

The setting is beautiful, intriguing and while only a small percentage of the world has been explored its clear that it has a depth to it that many settings lack. Best of all? A setting book is on Kickstarter right now, the project went live earlier today and is already sailed past the 50% mark.

So what’s included in the Kickstarter? For £15 (~$19) you’ll get the full setting book in PDF format plus any bonus PDFs which are unlocked via stretch goals. £30 (~$38) + shipping will net you the physical book plus all the PDFs while the £55 (~$70) + shipping ‘fan’ level rewards you with all the PDFs, the physical book, print issues of the Up to Four Players comic, dice tray and sticker sheets. In contrast to many Kickstarters, Eran and Aviv have gone for a relatively simple tier structure, with only a single, limited quantity, high-level pledge at £175 (~$225). For that, you get to create a Syn Agent to be included in the setting book, which will include character artwork by Aviv.

The details of the stretch goals have yet to be announced but will include additional content for the core book, a collection of one-sheet adventures and custom Crystal-themed bennies. Given the goal for the Kickstarter is likely to be reached within the first day it shouldn’t be long before the details for these are unveiled.

If you’re interested in the Kickstarter then you can find it here and it’s running until Tuesday 11th December. If you want more information about the setting then I’d highly recommend the comics, which can be found at www.uptofourplayers.com and if that isn’t enough then how about checking out the free starter set, which includes an overview of the setting, pre-generated characters and an introductory adventure? You can download that via the Up to Four Players website or directly from drivethruRPG.

 

Goodbye G+ – Where else you can find me

So it looks like Google+ is finally going the way of the dodo. As a general service it’s been on life support almost since its inception. It never built the user base that would a company like Google would require in order to continue maintaining it, but where it did succeed was with the gaming community. The communities, circles and collections allowed for a level of granularity that was ideal for sharing advice, thoughts and work in progress.

While I was never a heavy poster to G+ I use it frequently as a reader. There are multiple communities I follow, such as those for The Sprawl and Cortex Prime that have been invaluable. What will happen to them now is unknown. Discord, while popular, just doesn’t suit slower, in depth discussion and Facebook is just… Facebook.

Until that question is answered the best places to follow me are:

My blog – http://www.lunarshadow.net (which redirects to WordPress)

Twitter – @whodo_voodoo

I’m whodo on the HappyJacks Podcast forum – happyjacks.proboards.com and discord – happyjacks.org/discord

I’m also whodo on the Zombie Orpheus Entertainment / Dead Gentlemen discord – discord.gg/fhPckP7 and can mostly be found in the Demon Hunters sub-channel.

And as always you can find everything I release on DrivethruRPG

Kickstarter: JourneyQuest Season 3.5

JourneyQuest is the tale of a dysfunctional group of adventurers seeking to find and destroy the mythical Sword of Fighting. The epic fantasy series from Zombie Orpheus Entertainment has returns to Kickstarter to fund season 3.5, a collection of scenes that will expand upon the existing 3 seasons and the upcoming seasons 4 and 5 (The Kickstarter for season 4 is expected early 2019). More Orcs, more Karn the Unpleasant… in fact, more of everything thanks to the inclusion of the JourneyQuest World Bible! The definitive guide to the Fartherall, the world of JourneyQuest and The Gamers. Want to explore the wider world and produce your own licensed material? Then this is the document for you, a history of the ages and important factions in an ever developing setting.

And by chance, if you’ve yet to watch seasons 1-3 of this amazing show then you’re in luck. The entire show is available to stream for free on The Fantasy Network, alongside shows from a range of other indie producers.

The JourneyQuest 3.5 Kickstarter has 16 days to go (at time of writing) and less than 50% of its goal left.

 

First Thoughts: Torg Eternity Preview 1

Torggame-logo

Torg holds a special place in my heart, it was the first proper tabletop game I ever played and also the first system I even ran a campaign in. As much as I love the game the system underlying it has a tendency to get under my skin, especially the use of multiple sub-systems which were intended to give each Cosm a unique feel. The game is a product of it’s time (which was the early 90’s) so it’s with interest that I’ve been keeping track of any attempt to update and re-release it.

Torg Eternity is the long awaited new edition of the game and Ulisses Spiele who currently own the licence have recently put out the first preview for the new game. At the moment the details are limited, mostly focused on what the principles for design and what core elements they are maintaining. The design principles are:

  1. The rules must be easily identifiable as being Torg
  2. The resolution of actions must be fast and easy
  3. Reduce the number of sub-systems while keeping the Torg flavor.
  4. Changes must provide benefits. No changes for the sake of change.

All in all the preview is a solid start and it looks like a lot of the bits I really like about the system are staying put. Central to those are the core roll mechanic, the drama deck and possibilities, without which the game just wouldn’t be Torg.

The reduction in sub-systems is something that the game definitely needs. There were just far too many in the old game, especially given each of the many Cosms had it’s own unique aspects. Magic in particular was overwhelmed with systems, there were in the end close to 7-8 distinct magic systems each with it’s own quirks so anything that reduces the constant need to look up rules is a massive bonus as far as I’m concerned.

The other big change in this first preview is the removal of separate action and effect totals, which tended to complicate matters. The new system replaces this with a bonus die system – beat the target by 5 and you get +d6 to your result (such as to damage), beat it by 10 and get +2d6. Simple, quick and hopefully effective.

That’s all from this preview, it looks like the Kickstarter for the game will be sometime early next year so plenty of time for more updates.