Thoughts on Marvel Heroic

Alongside my Monthly OneShots, I’ve recently finished playing in a mini-campaign of another Cortex Plus system, the short-lived Marvel Heroic RPG. While I was fortunate enough to buy it while still in print it’s a system that has languished on my shelf for some time.

Unfortunately, with the campaign over, I feel like it may return to that position for some time as overall it just did not work for me.

First up was a personal issue – I prefer shades of grey in my games. Four colour heroics just don’t sit well with my style of play. Especially when trying to be a clean-cut hero such as Captain America. It’s something that I’ve struggled with during previous superhero games and it clearly remains something I need to work on.

As for the system, well something just failed to click. To a degree, it felt over-engineered, with too many moving parts. Rolls were typically built around a base of Affiliation + Distinction + Powerset + Speciality. That’s before considering any possible boosts or variations such as Sfx. Each of those had to be considered and actively chosen, there is no default combo so each action felt slow, though I will admit that they sped up as we became more familiar with the mechanics.

My other mechanical issue was one of focus. While I understand that the superhero genre is heavily combat orientated my non-combat options felt like they were lacking. Again, I appreciate that Captain America is pretty much the archetype for ‘super-soldier’ but it still put me off when I saw that my non-combat rolls were relatively limited.

captain-america-the-winter-soldier-movie-hd-wallpaper-my-top-10-of-2014This isn’t to say that my thoughts on the system entirely negative, as there was a lot that I did enjoy. The doom pool was central to this, allowing the GM to bank dice for later use rather than having to create complications in the moment (ala Firefly). It’s definitely a mechanic that I’ll be including in my future Prime games, likely alongside the Firefly type complications for when I want to immediately challenge the party.

Second, was the ability to counter actions on a successful defence, allowing the heroes to inflict stress even when it wasn’t their turn. This really felt like it played to the genre and made the heroes feel special, as with enough plot points it is (theoretically) possible to take out a mob of low-level antagonists without even taking an action!

Finally the idea of switching out power-sets between adventures to highlight different facets of a character really appeals. Demon Hunters, which blends some Cortex concepts onto a backbone of Fate, does similar by allowing you to spend milestones to rewrite Aspects. Over the course of a campaign, I could see a character building up a repository of options to pick from. Want to focus on mysterious backstory this adventure? Simply swap in that aspect. Want to highlight your stealth? Add in the power-set you acquired during the recent downtime.

So overall, mixed thoughts. I won’t be rushing back to the system but on the other hand, I would like to play it again (or run it) to see if I can get a better feel for it.

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Monthly OneShot Reflections: Firefly RPG

For the last few months I’ve been running monthly one shots at Sugar & Dice, one of the gaming cafes in Liverpool. I managed to post my Reflections on The Sprawl pretty quickly, while the first languished in my drafts folder. Until now.

I do the job…

From the outset, one of my prime motivations in establishing the Monthly OneShots was to promote settings and systems that weren’t D&D. I’ve always been pretty up-front the fact that I consider D&D to be, at best, an OK game. While 5th Edition has provided a massive boost to the hobby, in general, it frustrates me when I encounter groups playing nothing but D&D. Or worse, playing non-fantasy settings using quick reskins of the game.

That meant my first OneShot had to be something special. For that, I turned to what may be my all time favourite system in one of my favourite settings. Firefly, powered by Cortex Plus Action. For the adventure, Niska’s Race, my convention scenario that I have run close to a dozen times.

The setup for the adventure is simple, the infamous gangster Adelai Niska has hired the crew to recover one of his weapons shipments that had been impounded by the Alliance. The twist? It was so valuable to him that he had employed multiple crews, each competing to get to the cargo and earn his favour.

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…and then I get paid.

With a scenario I’ve run multiple times and a system I know backwards I was confident that I could put on a good show. The players dived into the characters and while they were all new to the system picked it up pretty quickly. Overall, I was happy with how the game played out. The scenario is designed to be pretty open ended, with each of the competing crews offering different complications that the GM can throw at the party. Each and every time I have run the scenario the players have taken a different approach. I’ve had crews seduce the ranking Alliance officer for information, steal a gunship to break into the impound yard and even some turn on Niska by becoming Alliance informants. This crew was no different, inciting a full on riot just because they needed a distraction.

And then came the final twist, which caught them completely off guard (I won’t spoil it). That was when I knew the session had gone well. It was also when I decided the scenario had finally run its course. I knew it backwards and while no two games of it had ever played out the same, there was little left to surprise me.

Overall, I would class the session as a success. The players were great and reminded me why I enjoy GMing so much. I get a real buzz from running a good game, enough to lift my mood for days afterwards.

So Monthly OneShot number 1 – success.

Monthly OneShot Reflections: The Sprawl

Last week I ran the second of my Monthly OneShots at the fantastic Sugar & Dice gaming cafe here in Liverpool. System of the month: The Sprawl.

Unlike the first month where I had run a well polished adventure for the Firefly RPG this was my first time running The Sprawl, or any PbtA game for that matter. I’d read through the rules and completed some minimal prep, focused around the setup and a couple of possible locations to introduce early on. I’d also jotted down a few notes on possible Corporations to introduce into play. While this goes against the general flow of the rules I’d taken the idea from the introductory ‘Downtown Dataheist’ adventure. Looking back I wish I’d gone further and followed the structure of that mission entirely. Or, in what would have been a smarter move, run that mission.

The Job

The mission was relatively simple. Infinitive Cascade, an up and coming RetroSynth DJ with the N/A/R Corporation had approached a rival Corp about a possible lucrative switch. All the team had to do was extract them before they completed their sold-out set the next day, with a substantial bonus if they could leak the first track from Cascades new album, Millennial MashUp.

Due to a number of last minute drop-outs the team was down to only two. Binary, an infiltrator and the tech head Jim Jones, who preferred to operate remotely through his twin drones. Hitting the streets Jones successfully tracked down Cascades hotel by tapping into the fan following that had grown up around the young DJ. Binary meanwhile acquired tickets to the gig through a fixer they had previously worked with. The price? The head of a rival fixer and triad member operating out of the Liverpool Automated Docks. That proved no match for their skills and yielded the bonus of discovering a concealed, two seater microlite used by the gangs to move goods in and out of the city.

Binary, supported by the drones, infiltrated the arcology in which Cascades hotel could be found via an old drainage system. A lack of research into the tunnels meant they were caught unaware by the automated security turret and Binary took a trio of flechette rounds to one shoulder in the process of destroying it. With Binary making his way to the hotel penthouse Jones’ drones ran interference, they succeeded in distracting the security team but in doing alerted them to the presence of trouble. With time running out Binary was forced to skewer two security guards on his katana before dragging Cascade to the roof for extraction via the microlite.

The job complete, albeit in a rather noisy manner, the team retreated to their hideout. Arriving at the pre-arranged exchange point they were surprised to find themselves paid in full, no questions asked. The reason soon became apparent, as the Corporate fixer put a bullet in Cascade’s head, calmly remarking that “posthumous albums always sell so well” before departing.

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Reflection on the mission

I came out of the game with extremely mixed feelings as to how it had gone. Part of this was down to how well the previous Monthly OneShot had gone and I had to remind myself repeatedly that that was using an adventure I had run 6+ times. My frustration stemmed from a couple of points.

Firstly, the players. We had some last minute drop-outs, which threw me somewhat. One of the players was also on the verge of being a problem. I wouldn’t go as far as saying he was disruptive, more like irritating. He kept trying to explain aspects of the genre and talked over myself and the other player more than once. It got on my nerves and is something I shall have to watch for in the future. Both were also new to PbtA, so drawing them on adding to the world was difficult.

As for the system, I found parts of it difficult. For a 4 hour game I think trying to do full character creation, plus generating Corporations and a mission is going to near impossible without a table of players that know the flow of PbtA games (and ideally know The Sprawl). I glossed over entire sections of the game, sections that are interesting and make it stand out such as the links between characters and the Corporations in play. I had written a few notes as to possible Corporations but with how the mission played out they weren’t required.

The players made no attempt to dig deeper that they had to and completed only the minimal amount of legwork required. Part of this was my mistake, during the legwork phase we played out a few scenes in more detail than was probably required. Looking over Downtown Dataheist again I should have gone with a quicker tell me what you do, roll, tell me how it turns out approach. It sacrifices detail but would have allowed them to get through more legwork in the limited time available.

During the Action phase I struggled the most with the Clocks. When to progress the Action clock was the main one and I wish the game had some more concrete rules for doing so. As it is I could see myself never pushing it to midnight as that’s an instant fail for the team based on an arbitrary decision. Instead I suspect I’d just keep throwing more at them until they decided the mission was a bust or died trying. Which isn’t fun. I may need to write my own directives in future for when to raise it, off the top of my head I think I would go with:

When a player rolls a double 1.
When a character takes out a corporate asset that will be missed.
When the characters act against a Corporation in the open.

I don’t know when I’ll get a chance to play the system again. I would like to. I love the genre and based on reading alone I want t love the system. Ideally I think I need to find a table of PbtA players, unfortunately those are few and far between around here.

Goodbye G+ – Where else you can find me

So it looks like Google+ is finally going the way of the dodo. As a general service it’s been on life support almost since its inception. It never built the user base that would a company like Google would require in order to continue maintaining it, but where it did succeed was with the gaming community. The communities, circles and collections allowed for a level of granularity that was ideal for sharing advice, thoughts and work in progress.

While I was never a heavy poster to G+ I use it frequently as a reader. There are multiple communities I follow, such as those for The Sprawl and Cortex Prime that have been invaluable. What will happen to them now is unknown. Discord, while popular, just doesn’t suit slower, in depth discussion and Facebook is just… Facebook.

Until that question is answered the best places to follow me are:

My blog – http://www.lunarshadow.net (which redirects to WordPress)

Twitter – @whodo_voodoo

I’m whodo on the HappyJacks Podcast forum – happyjacks.proboards.com and discord – happyjacks.org/discord

I’m also whodo on the Zombie Orpheus Entertainment / Dead Gentlemen discord – discord.gg/fhPckP7 and can mostly be found in the Demon Hunters sub-channel.

And as always you can find everything I release on DrivethruRPG

Kickstarter: JourneyQuest Season 3.5

JourneyQuest is the tale of a dysfunctional group of adventurers seeking to find and destroy the mythical Sword of Fighting. The epic fantasy series from Zombie Orpheus Entertainment has returns to Kickstarter to fund season 3.5, a collection of scenes that will expand upon the existing 3 seasons and the upcoming seasons 4 and 5 (The Kickstarter for season 4 is expected early 2019). More Orcs, more Karn the Unpleasant… in fact, more of everything thanks to the inclusion of the JourneyQuest World Bible! The definitive guide to the Fartherall, the world of JourneyQuest and The Gamers. Want to explore the wider world and produce your own licensed material? Then this is the document for you, a history of the ages and important factions in an ever developing setting.

And by chance, if you’ve yet to watch seasons 1-3 of this amazing show then you’re in luck. The entire show is available to stream for free on The Fantasy Network, alongside shows from a range of other indie producers.

The JourneyQuest 3.5 Kickstarter has 16 days to go (at time of writing) and less than 50% of its goal left.

 

DICE the Stacking

Unfortunately, every so often a game can fall flat. It may be a lack of player engagement, a bad system or a poorly prepared GM. Back in July I wrote in to HappyJacks RPG (season 22 episode 8) with a pseudo-horror story of GM mediocrity. That experience inspired my essential rules for con game prep (a topic for a follow-up post) but the discussion on the podcast has also inspired a mini-game!

My tale of bad GMing culminated peaked with the fact that I had spent much of the game building dice towers, going so far as to purposefully buy extra dice during the lunch break. Dave from MonkeyFun Studios took it upon himself to create a simple dice game that could be played at the table without disrupting the rest of the group. That game is DICE the Stacking and the simple rules can be found on the MonkeyFun website.

You can find MonkeyFun studios full range of games, such as Spirit of ’77 and Bedlam Hall, on their website and at drivethruRPG.

RPGaDay 2018 Round-up

RPGaDay has come has reached its end once again. Having completed it on twitter this year I thought it would be worth collecting my answers together into a single post. So, here they are:

Day 1: The social aspects. I can sit down at a table with strangers and know that there is at least 1 common thread between us that will be the focus for the next few hours. For somebody that finds mixing/socialising difficult having that focus is liberating. Then there’s the social aspect of gaming with friends, again it allows you to be social without the normal pressures. Bad day but don’t want to talk about it? Dive into the game. In a great mood? Dive into the game and make it more enjoyable for all.

Day 2: Honestly I don’t know any more. The Expanse Kickstarter has left me unsure by failing to get me interested in a property that I already enjoy. I wonder when it comes to a new game if it is the sell, whether I need to see some real excitement from the developers

Day 3: Setting and writing are perhaps most important. I need to enjoy picking the game up time and time again outside of the sessions. Rules are second to that, which is odd given my interest in game design. Prime examples: @CorporationRPG has an amazing world and writing I go back to but the rules are a hot mess. Fate Core is the opposite – great system but dry writing meant it wasn’t until Atomic Robo that I really appreciated it.

Day 4: Memorable for all the wrong reasons but during my first Firefly campaign had an annoying, whiny NPC who had been promised berth on the ship by somebody that didn’t own it. The players hated him. I hated him and while he was only present during a single session he made an impact of how not to do it.

Day 5: I’m going to cop out on this one because I’m struggling to think of a good answer. So instead I’ll go with one of the alternate prompts: Most memorable character retirement, which goes to a player in an L5R game I ran last year. It was her first ttRPG, she had no knowledge of the setting and picked the disadvantage that she was a brainwashed Kolat sleeper agent. I explained the likelihood she would die dishonourably.

She went with it.

During the wedding of another PC2 (who was marrying this PC1s true love) there was a murder. The suspect was the Kolat handler, who triggered her programming. She was a shugenja and all hell broke loose before she was ultimately captured. She was ordered to commit jigai to cleanse her family honour. The Scorpion governor gave her a choice – die or fake her death and become a scorpion. She chose the latter, not knowing her loyalty would be enforced by PC3 by addicting her to opioids. In the climactic battle, knowing she was going to die she redirected her final spell to target PC3. He drowned in the middle of the battlefield seconds before she fell to the spectral horde. It was epic and all because a new player went all in with their choices

Day 5: Wait, I want to also answer the original question! Am I allowed an NPC from an AP? If so then most memorable NPC has to be Ueda from @happyjacksrpg first L5R Inukai campaign. The PCs helped him redeem his honour and he spent his life literally repaying their trust.

Day 6: Help to build it. Introduce details at both the high level (NPCs, factions, background) and the low level (scene details). Both encourage buy-in, the first provides depth to the world and potentially grounds the PCs by giving them existing connections. The second gives players buy-in to individual scenes and helps build a consensus mental picture of what is going on. The fantastic @Upto4Players provided a great recent example of the latter with their Crystal Hearts comic:

http://www.uptofourplayers.com/comic/heart-of-stone-page-11/

Finally, they can put some effort into learning the setting background. Some games (such as L5R) have detailed settings and I wish more players would invest just a little time outside of sessions to learn the basics of them.

Day 7: Make it personal and build on day 6. When a player introduces something use it. Put it in the middle of the action and find out what the player will risk to protect it. And if they fail, make the consequences reflect its importance.

Day 8: Make it accessible and diverse. Twitch and APs are a great tool for this and we’re already seeing a boom thanks to it. Now we need to build on the momentum and promote more shows with diverse casts to really show that gaming is for everybody.

Day 9: I don’t know why but anytime a game hits me with the feels it surprises me. It’s not like I don’t expect it to happen but the ability of games to unexpectedly sneak past emotional barriers always gets me and I love that they can do that. Even though I’ve not had a chance to play as many of them as I’d like I love the fact that there are now a broad range of games where that’s the intention, that aim towards that intense emotional experience.

Day 10: I’d like to say that it has made me more confident and outgoing but I’m not sure that’s the case. It has, however, helped me find who I am and provided a constant grounding when times have been tough. I wouldn’t be who I am now without it.

Day 11: Blade Terrell from an early BESM 2e game. Carried a final fantasy type oversized sword but refused to use it unless he felt his opponent was enough of a challenge to be worthy of him drawing it.

Day 12: Easy answer, Doyl my @DG_DemonHunters caffeinomancer who also happens to be my favourite character to play.

Day 13: I was really stat and gear focused when I started with RPGs, a carryover from my time as a wargamer (seriously, 40K 2e allowed each space marine in each squad to have a unique loadout, a bookkeeping nightmare). I slowly realised it wasn’t the stats that I enjoy, it’s the descriptors and options that the gear opened up in the narrative. It’s why I’m a big fan now of descriptive tags as opposed to 10’s of pistols with negibly different range/damage/cost combos

Day 14: I made the mistake of describing offhand an interesting location to a group of @DG_DemonHunters players finishing with ‘and it’s off-limits for reasons you don’t know’ thinking that would be it and we could start the actual adventure. Of course, the players had other ideas and went to explore. I literally screwed up my existing notes, threw them away and called a beer break 5 minutes into the session so I could quickly rejig. I was upfront with them, they had completely thrown me off. Thus we started my first entirely improvised adventure. It was amazing and later ended with a player led near-TPK as the paranoid PC sniper attacked the newly turned PC vampire. Under attack, she gave in to her urges and turned 2 PCs before we faded out.

Day 15: Difficult question. Best example would be a playtest of Project Cassandra @Dragonmeet – I received a lot of critical but valid feedback that at the time was difficult to hear but extremely valuable and caused me to go back and redo the entire skills system.

Day 16: My next scheduled game is a #Firefly one shot using my Niska’s Race scenario. I’m looking to promote more non-D&D games where I play (@sugaranddice in Liverpool) starting with some well-known franchises before I broaden out into smaller indie games.

Day 17: This is easily having my original Demon Hunters adventure Channel Surfing used as the demo scenario at #GenCon this year. It’s available as a PWYW download from here:

Channel Surfing

Day 18: I actually wrote a whole mini-series of blog posts about inspirational artwork which are at: https://lunarshadowrpg.wordpress.com/category/inspirational-artwork-2/ … but in typical fashion haven’t actually ever used any for the basis of a campaign.

Day 19: Nothing that comes to mind. I’m not a big music person and really don’t enjoy music at the table. One of my pet peeves is when GMs bring portable speakers to con games and conveniently forget they’re sharing the space with other tables.

Day 20: Complications on success, such as in Cortex when you roll a 1. Really like the ‘yes and…’ element and way that it can add an unexpected twist, especially when you get the players to narrate it.

Day 21: I’m going to go with something I’ve yet to actually try out – Resource dice from The Black Hack (and spin-offs such as @cthulhuhack). An elegant and simple way of dealing with limited resources that doesn’t require too much bookkeeping.

Day 22: Non-dice system eh? Hell 4 Leather, a great pick up narrative game of supernatural revenge by Prince of Darkness games. The tarot system provides great flavour and its just so much fun to watch characters get hunted down scene by scene. In terms of a non-dice mechanic then the pathways and relationship map of Smallville, such a great way to set up the relationships not only between characters but also the environment by highlighting places of significance from the outset.

Day 23: How long do you have? Seriously, my play again list is almost as long as my yet to play list but to pick just a few: Smallville, Dresden Files, Torg, Demon Hunters, L5R

Day 24: Again I could provide you with a long list of games here, especially given that here in #Liverpool #DnD just seems to swamp everything else. I’d also love to say Project Cassandra but given that’s still not out (one day!) that feels like a cheat.

Recommendation 1 – Demon Hunters: A Comedy of Terrors by @deadgentlemen and @boymonster. An amazing game, with a great setting and my favourite implementation of Fate like rules (I’d place it as somewhere between Fate and Cortex)

Demon Hunters

Recommendation 2 – Remember Tomorrow by @gregorhutton / BoxNinja – A lightweight cyberpunk game focused on the needs and wants of the characters and their desire to escape the bonds that define their lives

RTfco250

Recommendation 3 – Another @boymonster game, Smallville RPG. The Drama iteration of Cortex Plus didn’t get the recognition that I feel it deserved and I’d love to see some non-supers uses of it, its perfect for hospital dramas or over the top soap opera.

Day 25: Part of me want to hates that this is my answer but #Dnd 5e. My gaming has been rather sparse over the last year and it’s only through the fact that D&D is having such a surge in popularity that I’ve been able to game at all.

Day 26: Is a regular non #DnD game aiming too low? Because I’d be happy with that. Aiming higher? Publish Project Cassandra and more Demon Hunters material plus attend some conventions.

Day 27: There’s only one AP I regularly listen to: @happyjacksrpg though I limit myself to 1 game at a time (currently the #L5R Inukai Saga). Seriously don’t know how they manage to fit so many games in! #rpg

Day 28: This is another question where I could reel off a long list so I’m going to cheat a little by saying the members of GUGS during my time there.

Day 29: Again too long a list, the vast majority of my close friends since finishing school I’ve met through gaming of one sort or another. Hell, my twitter list is almost exclusively made up of gaming people which is probably why I post here far more than on FB. I flew to the other side of the world to attend @StrategiconRPG in 2015 with people I’d only ever interacted with online. Absolutely amazing experience, forget GenCon, that was the best 4 days in gaming for me and I’d do it again if I could afford to. And when I got married earlier this year many of the attendees were friends I’ve made through gaming, including my best man @emzyesque who I’d have never met without this crazy hobby of adults playing make-believe.

Day 30: I mostly GM so in terms of NPCs – that they’re often the weakest part of my games in terms of characterisation. Something I’ve been working on since the start. In terms of PCs – Often my characters are very reliant upon the mood of the table around me. For example Doyl, my DH caffeinomancer, really needs an upbeat group for me to play him as the painfully cheerful character he is meant to be.

Day 31: Why do I participate? Like podcasts it keeps me engaged with the hobby on a day to day basis, which is important to me given how much my actual gaming time has varied over the last few years.